This art film has no conventional dialog between the main characters. This tells a strangely compelling story of two women in a suburban home who are listening to radio news broadcasts about a missing child in their area.
During his 50th birthday party thrown by his wife, Remco's life takes a turn for the worse. His business partners are scheming behind his back to sell him out and his former mistress shows up pregnant.
Three young Dutch amateur dirt bike motorcycle racers each fall in love with a young woman who, with her brother, works at a concession stand at the races. Everyone is looking for a better life. The young woman wants out of the business and away from her brother. The motocross racers want to make their marks as professional racers, like their hero, played by Rutger Hauer.Written by
Mark Logan <email@example.com>
The first movie by Paul Verhoeven and Gerard Soeteman that was not produced by Rob Houwer. They left Houwer over the many artistic and financial arguments they had had over the years, and went to Joop van den Ende, who was pretty much the only other large producer in the Netherlands who could secure the necessary budget at the time. See more »
After the rape scene in the metro, Jaap (brother of Fientje) gives Eef his shoe back, holding it at the heel side. But when the scene changes to a different angle he is holding the shoe at the nose side. See more »
While I wouldn't call this film anything great, it did manage to consistently keep me entertained and interested, and that usually isn't an easy task. The music stood out as a particularly effective part of the movie, as I often found it to be chilling. There were also a number of fascinating scenes in this movie, many of which would probably not be for all tastes. In fact, much like most Verhoeven films, this movie probably isn't for everybody, since it does get somewhat graphic at times. However, if you are a person who can handle the occasional disturbing image, then I would say that you should give this film a look.
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