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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
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A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.

Director:

Stanley Kubrick

Writers:

Stephen King (novel), Stanley Kubrick (screenplay) | 1 more credit »
Popularity
286 ( 2)

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Cast

Cast overview, first billed only:
Jack Nicholson ... Jack Torrance
Shelley Duvall ... Wendy Torrance
Danny Lloyd ... Danny
Scatman Crothers ... Hallorann
Barry Nelson ... Ullman
Philip Stone ... Grady
Joe Turkel ... Lloyd
Anne Jackson ... Doctor
Tony Burton ... Durkin
Lia Beldam Lia Beldam ... Young Woman in Bath
Billie Gibson Billie Gibson ... Old Woman in Bath
Barry Dennen ... Watson
David Baxt ... Forest Ranger 1
Manning Redwood ... Forest Ranger 2
Lisa Burns Lisa Burns ... Grady Daughter
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

He came as the caretaker, but this hotel had its own guardians - who'd been there a long time See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

13 June 1980 (USA) See more »

Also Known As:

The Shining See more »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337, 26 May 1980, Limited Release

Gross USA:

$44,017,374, 31 December 1980
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

There is a character named Richard Haloran (slightly different spelling) in the film Dementia 13 (1963), about an axe murderer. It was produced by Roger Corman, who directed several of Jack Nicholson's early films. See more »

Goofs

Jack's typewriter changes from a white manual Alder to black model of the same make. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

After the 146 minute version of the film was met with poor reviews and weak box office in the US, Stanley Kubrick re-edited the film for European release, removing 24 minutes of footage. Included in the removed footage were the entire performances of Anne Jackson as the Doctor and Tony Burton as Larry. However, both Jackson and Burton's names were still listed in the opening credits despite them no longer appearing in the film. See more »

Alternate Versions

When released theatrically in the United States, the film ran approx. 146 minutes. However, as explained above, three weeks into its release, Kubrick cut the 2 minute coda from the end of the film, reducing its length to 144 minutes. After meeting with poor reviews and erratic box office, Kubrick decided to further edit the film for its theatrical release outside the US. He cut approximately 31 minutes of footage, reducing the length to 113 minutes. The 144 minute 'US version' is often erroneously called the Director's Cut when in fact director Kubrick regarded the 113 minute version as the superior cut of the film. When the film was released on home video in the US, Kubrick endorsed the shorter version of the film as the 'official' version. Nevertheless, the longer version is the version now most commonly available. The following is a list of all the scenes or parts of scenes not present in the shorter 'European version':
  • After the first scene with Wendy (Shelley Duvall) and Danny (Danny Lloyd), the film cuts back to Jack (Jack Nicholson) at the Overlook, where his interview with Stuart Ullman (Barry Nelson) continues. Jack is introduced to Bill Watson (Barry Dennen), and Ullman tells Watson that Jack used to work as a schoolteacher. Jack says he became a writer because he needed a change in his life. Ullman then explains that the Overlook is closed every winter from the end of October to the following May, because it would be too expensive to keep the roads open, and he points out that the site was chosen specifically for its seclusion.
  • When Danny first 'sees' the Grady twins in his bathroom at home, he blacks out. When he awakes, he is being examined by a doctor (Anne Jackson). This entire examination scene, and the subsequent conversations were all cut. Danny says that before his black-out he was talking to Tony, "the little boy who lives inside my mouth". Wendy and the Doctor then talk in private, and Wendy mentions an incident in which Jack dislocated Danny's shoulder in a drunken fit of temper, at which time he swore never to touch alcohol again. That was five months ago, and since then, he has kept his word.
  • During their tour of the Overlook, Jack and Wendy are brought into the Colorado Lounge, and Wendy asks if the Indian designs are authentic. Ullman explains that they are based on ancient Navajo and Apache motifs. He then mentions the prestigious history of the hotel, saying it was a stopping place for the jet set, for four presidents, movie stars and "all the best people".
  • The beginning of the scene where Ullman shows Jack and Wendy the hotel grounds has been cut. He points out "our famous hedge maze" and warns them not to go in unless they have an hour or so to spare.
  • Prior to the introduction of Dick Hallorann (Scatman Crothers), Ullman shows off The Gold Room and explains that all liquor is removed during the winter so as to reduce insurance costs. Hallorann is then introduced, and the secretary Susie (Alison Coleridge) appears, having found Danny outside the games room. Ullman then leaves with Jack, and Hallorann takes Wendy around the kitchen.
  • Some of Danny's conversation with Hallorann has been cut. Danny asks Hallorann if he is scared of the Overlook, and Hallorann replies that he isn't, but that "some places are like people, some shine and some don't. I guess you could say the Overlook Hotel here has something about it that's like shining."
  • The first few shots of Wendy wheeling the breakfast tray through the corridors have been cut.
  • The end of the scene where Wendy brings Jack his breakfast has been cut. He comments that he has never been as happy or as comfortable anywhere as he is in the Overlook and Wendy reveals that she thought the place was scary when they first arrived. Jack replies that he fell in love with it straight away and he felt as if he had been there before.
  • The scene of Jack throwing the ball against the wall is shorter.
  • After Wendy and Danny explore the maze, a sequence has been cut showing Wendy working in the kitchen while a TV announcer talks of a search in the mountains for a missing woman, and a snow-storm that is predicted to be moving in on Colorado.
  • Following the scene in which Jack loses his temper with Wendy for interrupting him, the title THURSDAY was deleted.
  • After the scene in which Danny is confronted by the Grady twins in the corridor, and they invite him to play with them, a scene has been cut in which Wendy and Danny are watching TV. Danny asks if he can go to his room to get his toy fire-engine and Wendy tells him to be quiet because Jack is sleeping.
  • Some dialogue has been cut from the first conversation between Jack and Lloyd (Joe Turkel). Jack toasts, "Here's to five miserable months on the wagon and all the irreparable harm that it's caused me". Lloyd then asks him how things are, and Jack comments that they could be a whole lot better, that he is having trouble with his wife. Lloyd comments, "Women! Can't live with 'em. Can't live without 'em", and Jack wholeheartedly agrees.
  • After he has returned from examining Room 237, Jack's conversation with Wendy is slightly shorter.
  • After the scene between Jack and Grady (Philip Stone), a sequence has been cut in which Wendy is seen crying and talking to herself, musing about the possibility of getting down the mountain in the Sno-cat, and of calling the Forest Rangers. She then hears Danny calling out "red rum" over and over, but when she tries to talk to him, she is only 'answered' by Tony, who tells her that Danny can't hear her.
  • A scene has been cut in which Hallorann tries to get through to the Overlook by calling the Ranger station. They tell him that they've tried to get through several times but there has been no answer, and they offer to try again later.
  • Prior to the shot of Hallorann's plane, the title 8AM has been deleted.
  • On the plane, Hallorann asks a stewardess what time they are due to land in Denver and she tells him at 8.20. Jack is then seen typing in the lounge of the Overlook. Hallorann's plane lands at the airport and he calls Larry Durkin (Tony Burton), a garage owner, to rent a Sno-cat so as to get up to the Overlook. Durkin says the mountain roads are completely blocked off, and Hallorann explains that the people looking after the hotel turned out to be "completely unreliable assholes". Hallorann estimates that it will take him five hours to drive from the airport to collect the cat, and Larry says the Sno-cat will be waiting for him when he arrives.
  • The beginning of the scene in which Wendy finds Jack's type-written pages has been cut. She and Danny are watching television and she looks at her watch, telling Danny that she is going to talk to his father for a few minutes and that he should stay there. She picks up the baseball bat before leaving.
  • In the final scene, when Jack is pursuing Danny through the maze and Wendy is being confronted by some of the Overlook spooks, a short scene where she encounters a group of skeletons sitting at a table with a champagne bottle and glasses has been cut.
See more »

Connections

Referenced in The Big Fat Quiz of the Year (2010) See more »

Soundtracks

De Natura Sonoris No. 2
Music by Krzysztof Penderecki
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (uncredited)
Conducted by Krzysztof Penderecki (uncredited)
See more »

Frequently Asked Questions

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User Reviews

Eeriness surpassed by class
24 November 2008 | by chaos-rampantSee all my reviews

Sometimes all good horror needs is a good idea. But sometimes, rarely indeed, a horror masterpiece will reach us by the hand of a Kubrick, with the adept, elusive touch of a great artist to guide the vision, and we know what separates it from all else.

Okay, the story has enough promise that even a hired gun would have to try to fail. Heck, even Stephen King himself didn't fare so bad. It's how Kubrick perceives King's universe however, how he fills the frame with it, that renders THE SHINING a feast for the senses.

Horror that will reach us through the mind and body alike, an assault as it were, tending eventually its pitch to a crescendo, yet curiously not without a delicate lull.

Kubrick's cinema is, as usually, a sight to behold. We get the adventurous camera that prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing impeccably decorated interiors in symmetric grandeur. The geometrical approach in how Kubrick perceives space reminds me very much of Japanese directors of some 10 years before. In that what is depicted in the frame, the elements of narrative, is borderline inconsequential to how they all balance and harmonize together.

Certain images stand out in this. The first shot of Jack's typewriter, ominously accompanied by the off-screen thumps of a ball, drums of doom that seem to emanate from the very walls or the typewriter itself, an instrument of doom in itself as is later shown. A red river flowing through the hotel's elevators in a poetry of slow motions. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face violently thrusting us inside his head before we see the two dead girls from his POV. And of course, the epochal bathroom scene.

Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever made. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of swanlike fragility and emotional distress. A delicate, detached thing thrown in with the mad.


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