A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- Stars
Top credits
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- Stars
- Awards
- 4 wins & 8 nominations
Videos17
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- Production, box office & more at IMDbPro
- All cast & crew
Storyline
Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny, up snow-capped Colorado's secluded Overlook Hotel after taking up a job as an off-season caretaker. As the cavernous hotel shuts down for the season, the manager gives Jack a grand tour, and the facility's chef, the ageing Mr Hallorann, has a fascinating chat with Danny about a rare psychic gift called "The Shining", making sure to warn him about the hotel's abandoned rooms, and, in particular, the off-limits Room 237. However, instead of overcoming the dismal creative rut, little by little, Jack starts losing his mind, trapped in an unforgiving environment of seemingly endless snowstorms, and a gargantuan silent prison riddled with strange occurrences and eerie visions. Now, the incessant voices inside Jack's head demand sacrifice. Is Jack capable of murder? —Nick Riganas
- Taglines
- Iconic terror from the No 1 bestselling writer.
- Genres
- Motion Picture Rating (MPAA)
- Rated R for disturbing violent content and behavior, bloody images, graphic nudity, and strong language
- Parents guide
Did you know
- TriviaFor the scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
- GoofsWhen Jack is using the ax to break through the door, he only breaks through one of the recessed panels and says, "Here's Johnny". But when he hears the snowmobile and turns, and the shot changes, two of the panels are gone without him using the ax on them.
- Quotes
Jack Torrance: Here's Johnny!
- Crazy creditsThe party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away.
- Alternate versionsABC edited 4 minutes from the film for its 1983 network television premiere.
- ConnectionsEdited into Hai-Kubrick (1999)
- SoundtracksThe Shining (Main Title)
Written by Wendy Carlos and Rachel Elkind
Performed by Wendy Carlos and Rachel Elkind
Based on "Dream of a Witches' Sabbath" from Symphonie fantastique by Hector Berlioz and traditional requiem "Dies Irae"
Top review
Amazing achievement in filmmaking and the art of terror.
Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.
And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.
Rating: 9/10
And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.
Rating: 9/10
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- FlickJunkie
- Jul 24, 2001
Details
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $45,634,352
- Opening weekend US & Canada
- $622,337
- May 26, 1980
- Gross worldwide
- $47,299,460
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