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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
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A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

Director:

Stanley Kubrick

Writers:

Stephen King (novel), Stanley Kubrick (screenplay) | 1 more credit »
Popularity
286 ( 58)

Director's Trademarks: A Guide to Stanley Kubrick's Films

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Cast

Cast overview, first billed only:
Jack Nicholson ... Jack Torrance
Shelley Duvall ... Wendy Torrance
Danny Lloyd ... Danny
Scatman Crothers ... Hallorann
Barry Nelson ... Ullman
Philip Stone ... Grady
Joe Turkel ... Lloyd
Anne Jackson ... Doctor
Tony Burton ... Durkin
Lia Beldam Lia Beldam ... Young Woman in Bath
Billie Gibson Billie Gibson ... Old Woman in Bath
Barry Dennen ... Watson
David Baxt ... Forest Ranger 1
Manning Redwood ... Forest Ranger 2
Lisa Burns Lisa Burns ... Grady Daughter
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

The Horror is driving him crazy See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

13 June 1980 (USA) See more »

Also Known As:

The Shining See more »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337, 26 May 1980, Limited Release

Gross USA:

$44,017,374, 31 December 1980
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The eerie "music for strings" section of the soundtrack was previously used in two Doctor Who (1963) serials in 1967. See more »

Goofs

Just before Wendy and Danny enter the maze outside the hotel for the first time, they pass a hut near the entrance to the maze. Camera crew/equipment are noticeable in the reflection of the glass in the hut as they pass by. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away. See more »

Connections

Referenced in The Perfect Scary Movie (2005) See more »

Soundtracks

Masquerade
(uncredited)
Music by John Jacob Loeb
Lyrics by Paul Francis Webster
Performed by Jack Hylton and His Orchestra
See more »

Frequently Asked Questions

See more »

User Reviews

A masterpiece of psychological horror
19 January 2002 | by hanniballe11752See all my reviews

Stephen King may have said the master director knew nothing about horror, but that simply is not true. That is a too biased opinion for anyone to go on given that he wrote the book, which Kubrick based his wonderful film ever so loosely on. And at any rate, faithful or not, KUBRICK's Shining-the BEST crafted genre film of the 80's- performs it's duty as a fright flick, and then some.

There are appropriately no words strong enough to convey the haunting beauty of the visuals showcased throughout the movie, from the drive to the Overlook to the final chase in the hedgemaze the movie is a feast for the eyes as it is for the mind. And it IS a feast for the mind as The Shining is as psychological as horror gets, toying relentlessly, and expertly with your emotions and expectations(some could even say SADISTICALLY), throwing something in that's completely out of left field and never, ever letting you catch your breath between the now classic shocks as the movie speeds toward it's memorable conclusion in the last half hour.

Kudos are in order for Kubrick, a director of the old school style, who builds an eerie atmosphere by exercising total control over the filmic environment, manipulating everything down to the tiniest detail to suit the needs of the picture, yet filming with a coldly detatched, objective eye, as though Kubrick were making a documentary about these events. This would account for the dialouge, which-thankfully-is not the typical phoney balloney Hollywood banter (Kubrick detractors/King purists usually bitch about this the most, having been weaned on the phony nature of 'Hollywood talk', which is usually nothing at all like real talk. Many of us speak 'on the nose', and do not try to convey subtext through use of carefully chosen words that articulate our state of being without being direct.) In this light, Shelley Duvall must be commended for her performance which is very naturalistic. It does not seem like acting at all. She is not concerned with glamour, nor does she clutter her performance with typical acting chops, but rather she is solely focussed on hitting the emotional highpoints of her character as 'Wendy' gradually comes to realize that her husband is a madman. And let's face it folks, how many of us would like a million bucks when placed in a situation like that? Who does NOT look like a blubbering idiot when they are hysterical? That's what I thought, so what did you expect? She was great. To say nothing of the rest of the cast.


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