A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.Written by
J. S. Golden
Danny's Shining is more powerful than Dick's in the novel. Danny can get information about someone just by touching them (even though his predictions are sometimes wrong), but Dick believed everyone has a bit of Shining in them. Danny's Shining can increase and decrease in frequency, but he doesn't like reading people's most private thoughts. The Shining can be suppressed by an injection. See more »
[Around 02:08:19] When Hallorann arrives at The Overlook Hotel looking for the family, the overhead chandelier's pink lights are reflected off the camera lens on to the spot where his torso is in the shot. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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The movie's opening titles are also the only instance in any Kubrick film where scrolling credits, rather than title cards, are used. See more »
Three days after the release of the film, Stanley Kubrick and Warner Bros. ordered all projectionists to cut about 2 minutes from the end of the film, and send the footage back to the studio. Starting after the closeup of frozen Jack, the camera goes to a pullback shot with part of a state trooper's car and the legs of troopers walking around in the foreground. We then cut to the hotel manager Stuart Ullman (Barry Nelson) walking down a hospital hallway to the nurse's station to inquire about Danny and Wendy. He's told they're both doing well and proceeds to Wendy's room. After some gentle conversation, he tells Wendy that searchers have been unable to locate any evidence of the apparitions she saw. Additionally, Jack's body cannot be located. We then cut to the camera silently roaming the halls of the Overlook Hotel for about a minute until it comes up to the wall with the photographs, where it [back to the ending as it is now known] fades in on the photo of Jack in the 1921 picture. See more »
I was never a big fan of horror movies. They usually try cheap tricks to scare their audiences like loud noises and creepy children. They usually lack originality and contain overacting galore. The only horror movie i like was Stir of Echoes with Kevin Bacon. It was well-acted, and had a great story. But it has been joined and maybe even surpassed by Stanley Kubrick's The Shining, quite possibly the scariest movie ever.
The movie follows a writer (Jack Nicholson) and his family who agree to watch over a hotel while it is closed for the winter. There were rumors of the place being haunted and the last resident went crazy and murdered his family. But Jack is convinced it will be OK and he can use the quiet to overcome his writer's block. After months of solitude and silence however, Jack becomes a grumpy and later violent. Is it cabin fever or is there something in the hotel that is driving him mad?
One of the creepiest parts about the movie is the feeling of isolation that Kubrick makes. The hotel is very silent, and the rooms are huge, yet always empty. It is also eerily calm when Jack's son is riding his bike through the barren hallways. Jack Nicholson's performance is also one of his very best, scaring the hell out of me and making me sure to get out once in awhile. My favorite scene is when he is talking to a ghost from inside a walk-in refrigerator.
The Shining is tops for horror movies in my opinion, beating the snot out of crap like the Ring and The Blair Witch Project. It may be a oldie, but is definitely a goodie. 8/10
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