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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
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A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

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(novel), (screenplay) | 1 more credit »
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259 ( 55)
Top Rated Movies #60 | 3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Jack Torrance
... Wendy Torrance
... Danny
... Hallorann
... Ullman
... Grady
... Lloyd
... Doctor
... Durkin
Lia Beldam ... Young Woman in Bath
Billie Gibson ... Old Woman in Bath
... Watson
... Forest Ranger 1
... Forest Ranger 2
Lisa Burns ... Grady Daughter
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

Coming this summer See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

13 June 1980 (USA)  »

Also Known As:

Stanley Kubrick's 'The Shining'  »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337, 26 May 1980, Limited Release

Gross USA:

$44,017,374, 31 December 1980
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Despite Stanley Kubrick's fierce demands on everyone, Jack Nicholson admitted to having a good working relationship with him. It was with Shelley Duvall that he was a completely different director. He allegedly picked on her more than anyone else, as seen in the documentaries Making 'The Shining' (1980) and Stanley Kubrick: A Life in Pictures (2001). He would really lose his temper with her, even going so far as to say that she was wasting the time of everyone on the set. She later reflected that he was probably pushing her to her limits to get the best out of her, and that she wouldn't trade the experience for anything, but it was not something she ever wished to repeat. See more »

Goofs

When Danny and Halloran talk together, the ice cream residue in Danny's dish changes between shots, and a few times almost disappears completely. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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Crazy Credits

The movie's opening titles are also the only instance in any Kubrick film where scrolling credits, rather than title cards, are used. See more »

Connections

Referenced in Life on Mars: Episode #1.4 (2006) See more »

Soundtracks

Midnight, the Stars and You
(uncredited)
Written by Jimmy Campbell, Reginald Connelly, and Harry M. Woods
Performed by Ray Noble Orchestra with Al Bowlly
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Frequently Asked Questions

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User Reviews

A masterpiece of psychological horror
19 January 2002 | by See all my reviews

Stephen King may have said the master director knew nothing about horror, but that simply is not true. That is a too biased opinion for anyone to go on given that he wrote the book, which Kubrick based his wonderful film ever so loosely on. And at any rate, faithful or not, KUBRICK's Shining-the BEST crafted genre film of the 80's- performs it's duty as a fright flick, and then some.

There are appropriately no words strong enough to convey the haunting beauty of the visuals showcased throughout the movie, from the drive to the Overlook to the final chase in the hedgemaze the movie is a feast for the eyes as it is for the mind. And it IS a feast for the mind as The Shining is as psychological as horror gets, toying relentlessly, and expertly with your emotions and expectations(some could even say SADISTICALLY), throwing something in that's completely out of left field and never, ever letting you catch your breath between the now classic shocks as the movie speeds toward it's memorable conclusion in the last half hour.

Kudos are in order for Kubrick, a director of the old school style, who builds an eerie atmosphere by exercising total control over the filmic environment, manipulating everything down to the tiniest detail to suit the needs of the picture, yet filming with a coldly detatched, objective eye, as though Kubrick were making a documentary about these events. This would account for the dialouge, which-thankfully-is not the typical phoney balloney Hollywood banter (Kubrick detractors/King purists usually bitch about this the most, having been weaned on the phony nature of 'Hollywood talk', which is usually nothing at all like real talk. Many of us speak 'on the nose', and do not try to convey subtext through use of carefully chosen words that articulate our state of being without being direct.) In this light, Shelley Duvall must be commended for her performance which is very naturalistic. It does not seem like acting at all. She is not concerned with glamour, nor does she clutter her performance with typical acting chops, but rather she is solely focussed on hitting the emotional highpoints of her character as 'Wendy' gradually comes to realize that her husband is a madman. And let's face it folks, how many of us would like a million bucks when placed in a situation like that? Who does NOT look like a blubbering idiot when they are hysterical? That's what I thought, so what did you expect? She was great. To say nothing of the rest of the cast.


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