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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
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A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

Director:

Stanley Kubrick

Writers:

Stephen King (novel), Stanley Kubrick (screenplay) | 1 more credit »
Popularity
286 ( 58)

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Cast

Cast overview, first billed only:
Jack Nicholson ... Jack Torrance
Shelley Duvall ... Wendy Torrance
Danny Lloyd ... Danny
Scatman Crothers ... Hallorann
Barry Nelson ... Ullman
Philip Stone ... Grady
Joe Turkel ... Lloyd
Anne Jackson ... Doctor
Tony Burton ... Durkin
Lia Beldam Lia Beldam ... Young Woman in Bath
Billie Gibson Billie Gibson ... Old Woman in Bath
Barry Dennen ... Watson
David Baxt ... Forest Ranger 1
Manning Redwood ... Forest Ranger 2
Lisa Burns Lisa Burns ... Grady Daughter
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

The Horror is driving him crazy See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

13 June 1980 (USA) See more »

Also Known As:

The Shining See more »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337, 26 May 1980, Limited Release

Gross USA:

$44,017,374, 31 December 1980
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Denver media was used twice in the film. While driving up to Sidewinder in a blinding snowstorm, Dick Hallorann (Scatman Crothers) is listening to AM disc jockeys Hal Moore and Charley Martin. Denver's KHOW was top 40 pop music at that time, and Hal and Charley were actually morning drive-time DJs. They used elements of their show in a scripted segment for the audio. Also, the television in the Overlook Hotel was able to pick up Denver's channel 9. On-air talent Bertha Lynn and Bill Custer taped a scripted segment for use on the Overlook's television. The weather report that Dick Hallorann watched in Miami featured Glen Rinker, who was a well-known Florida news anchor at the time. See more »

Goofs

[Around 02:08:40] When Jack strikes Hallorann in the chest with his axe, blood is seen gushing out from the injury a few frames before the axe actually makes contact with him. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

After the 146 minute version of the film was met with poor reviews and weak box office in the US, Stanley Kubrick re-edited the film for European release, removing 24 minutes of footage. Included in the removed footage were the entire performances of Anne Jackson as the Doctor and Tony Burton as Larry. However, both Jackson and Burton's names were still listed in the opening credits despite them no longer appearing in the film. See more »

Connections

Referenced in Barton Fink (1991) See more »

Soundtracks

The Shining (Main Title)
Written by Wendy Carlos and Rachel Elkind
Performed by Wendy Carlos and Rachel Elkind
Based on "Dream of a Witches' Sabbath" from Symphonie fantastique by Hector Berlioz and traditional requiem "Dies Irae"
See more »

Frequently Asked Questions

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User Reviews

 
Amazing achievement in filmmaking and the art of terror.
24 July 2001 | by FlickJunkieSee all my reviews

Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

Rating: 9/10


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