After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.Written by
J. S. Golden
Stanley Kubrick had envisioned Shelley Duvall as his more timid, dependent version of Wendy Torrance from the very beginning. However, Jack Nicholson after reading the novel, wanted Jessica Lange for the role of Wendy, and even recommended her to Kubrick, as he felt she fit Stephen King's version of the character. After explaining the changes he had made, Kubrick convinced him that Duvall was the correct choice, as she best suited the emotionally fragile Wendy he had in mind. Many years later, Nicholson told Empire magazine he thought Duvall was fantastic and called her work in the film, "the toughest job that any actor that I've seen had". See more »
The helicopter's shadow can be seen in the bottom right hand corner, during the opening sequence. (This goof only appears in the 4:3/1.37:1 print.) See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »
The movie's opening titles are also the only instance in any Kubrick film where scrolling credits, rather than title cards, are used. See more »
Three days after the release of the film, Stanley Kubrick and Warner Bros. ordered all projectionists to cut about 2 minutes from the end of the film, and send the footage back to the studio. Starting after the closeup of frozen Jack, the camera goes to a pullback shot with part of a state trooper's car and the legs of troopers walking around in the foreground. We then cut to the hotel manager Stuart Ullman (Barry Nelson) walking down a hospital hallway to the nurse's station to inquire about Danny and Wendy. He's told they're both doing well and proceeds to Wendy's room. After some gentle conversation, he tells Wendy that searchers have been unable to locate any evidence of the apparitions she saw. Additionally, Jack's body cannot be located. We then cut to the camera silently roaming the halls of the Overlook Hotel for about a minute until it comes up to the wall with the photographs, where it [back to the ending as it is now known] fades in on the photo of Jack in the 1921 picture. See more »
When Jack Torrance (Nicholson) is offered a job as winter caretaker for the Overlook Hotel he accepts it as an opportunity to work on his novel in an isolated environment. He is told stories of the last caretaker going mad and butchering his family but isn't deterred. He arrives at the Overlook Hotel with his wife (Duvall) and child Danny (Lloyd) and is shown around the hotel by the cook (Scatman Crothers) who has the gift of perception. The cook warns Danny that the hotel can be of particular danger for those with the gift. It's only a matter of time before Jack begins to act increasingly erratic.
This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.
The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.
Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.
Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
150 of 213 people found this review helpful.
Was this review helpful to you?
| Report this