A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- Stars
Top credits
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- Stars
- Awards
- 4 wins & 8 nominations
Videos17
- Director
- Writers
- Stephen King(based upon the novel by)
- Stanley Kubrick(screenplay by)
- Diane Johnson(screenplay by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Haunted by a persistent writer's block, the aspiring author and recovering alcoholic, Jack Torrance, drags his wife, Wendy, and his gifted son, Danny, up snow-capped Colorado's secluded Overlook Hotel after taking up a job as an off-season caretaker. As the cavernous hotel shuts down for the season, the manager gives Jack a grand tour, and the facility's chef, the ageing Mr Hallorann, has a fascinating chat with Danny about a rare psychic gift called "The Shining", making sure to warn him about the hotel's abandoned rooms, and, in particular, the off-limits Room 237. However, instead of overcoming the dismal creative rut, little by little, Jack starts losing his mind, trapped in an unforgiving environment of seemingly endless snowstorms, and a gargantuan silent prison riddled with strange occurrences and eerie visions. Now, the incessant voices inside Jack's head demand sacrifice. Is Jack capable of murder? —Nick Riganas
- Taglines
- Iconic terror from the No 1 bestselling writer.
- Genres
- Motion Picture Rating (MPAA)
- Rated R for disturbing violent content and behavior, bloody images, graphic nudity, and strong language
- Parents guide
Did you know
- TriviaFor the scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
- GoofsWhen Jack is using the ax to break through the door, he only breaks through one of the recessed panels and says, "Here's Johnny". But when he hears the snowmobile and turns, and the shot changes, two of the panels are gone without him using the ax on them.
- Quotes
Jack Torrance: Here's Johnny!
- Crazy creditsThe party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away.
- Alternate versionsABC edited 4 minutes from the film for its 1983 network television premiere.
- ConnectionsEdited into Hai-Kubrick (1999)
- SoundtracksThe Shining (Main Title)
Written by Wendy Carlos and Rachel Elkind
Performed by Wendy Carlos and Rachel Elkind
Based on "Dream of a Witches' Sabbath" from Symphonie fantastique by Hector Berlioz and traditional requiem "Dies Irae"
Top review
A classic horror from a master director
When Jack Torrance (Nicholson) is offered a job as winter caretaker for the Overlook Hotel he accepts it as an opportunity to work on his novel in an isolated environment. He is told stories of the last caretaker going mad and butchering his family but isn't deterred. He arrives at the Overlook Hotel with his wife (Duvall) and child Danny (Lloyd) and is shown around the hotel by the cook (Scatman Crothers) who has the gift of perception. The cook warns Danny that the hotel can be of particular danger for those with the gift. It's only a matter of time before Jack begins to act increasingly erratic.
This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.
The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.
Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.
Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.
The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.
Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.
Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
helpful•16572
- bob the moo
- Oct 29, 2001
Details
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $45,634,352
- Opening weekend US & Canada
- $622,337
- May 26, 1980
- Gross worldwide
- $47,299,460
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