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The Shining (1980)

R | | Drama, Horror | 13 June 1980 (USA)
Trailer
1:30 | Trailer
A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.

Director:

Stanley Kubrick

Writers:

Stephen King (novel), Stanley Kubrick (screenplay) | 1 more credit »

Director's Trademarks: A Guide to Stanley Kubrick's Films

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Cast

Cast overview, first billed only:
Jack Nicholson ... Jack Torrance
Shelley Duvall ... Wendy Torrance
Danny Lloyd ... Danny
Scatman Crothers ... Hallorann
Barry Nelson ... Ullman
Philip Stone ... Grady
Joe Turkel ... Lloyd
Anne Jackson ... Doctor
Tony Burton ... Durkin
Lia Beldam Lia Beldam ... Young Woman in Bath
Billie Gibson Billie Gibson ... Old Woman in Bath
Barry Dennen ... Watson
David Baxt ... Forest Ranger 1
Manning Redwood ... Forest Ranger 2
Lisa Burns Lisa Burns ... Grady Daughter
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Storyline

Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

The Horror is driving him crazy See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

13 June 1980 (USA) See more »

Also Known As:

The Shining See more »

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Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend USA:

$622,337, 26 May 1980

Gross USA:

$45,332,952

Cumulative Worldwide Gross:

$46,207,001
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original) | (US dvd release: B002VWNIDG)

Sound Mix:

Dolby Digital (Blu-ray release)| Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Despite Stanley Kubrick's fierce demands on everyone, Jack Nicholson admitted to having a good working relationship with him. It was with Shelley Duvall that he was a completely different director. He allegedly picked on her more than anyone else, as seen in the documentaries Making 'The Shining' (1980) and Stanley Kubrick: A Life in Pictures (2001). He would really lose his temper with her, even going so far as to say that she was wasting the time of everyone on the set. She later reflected that he was probably pushing her to her limits to get the best out of her, and that she wouldn't trade the experience for anything, but it was not something she ever wished to repeat. See more »

Goofs

A caption reads "THURSDAY" and then shortly afterwards we see Wendy and Danny watching The Road Runner Show with its distinctive theme song. In the late 1970s that show played only on Saturday mornings. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away. See more »

Alternate Versions

Three days after the release of the film, Stanley Kubrick and Warner Bros. ordered all projectionists to cut about 2 minutes from the end of the film, and send the footage back to the studio. Starting after the closeup of frozen Jack, the camera goes to a pullback shot with part of a state trooper's car and the legs of troopers walking around in the foreground. We then cut to the hotel manager Stuart Ullman (Barry Nelson) walking down a hospital hallway to the nurse's station to inquire about Danny and Wendy. He's told they're both doing well and proceeds to Wendy's room. After some gentle conversation, he tells Wendy that searchers have been unable to locate any evidence of the apparitions she saw. Additionally, Jack's body cannot be located. We then cut to the camera silently roaming the halls of the Overlook Hotel for about a minute until it comes up to the wall with the photographs, where it [back to the ending as it is now known] fades in on the photo of Jack in the 1921 picture. See more »

Connections

Featured in Why Horror? (2014) See more »

Soundtracks

Home (When Shadows Fall)
(uncredited)
Written by Peter Van Steeden, Geoffrey Clarkson, and Harry Clarkson
Performed by Henry Hall and the Gleneagles Hotel Band
See more »

Frequently Asked Questions

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User Reviews

Jack Torrance Meets David Bowman
18 February 1999 | by Jimm7ySee all my reviews

What can I say about the scariest movie I have ever seen that has not already been said by others more articulate than yours truly? Do not view this film expecting to see a screen version of the Stephen King novel. Rather, this is a Stanley Kubrick film, and to fully appreciate it one should judge it within the context of Kubrick's entire body of work as a serious filmmaker. Thematically, THE SHINING relates most closely to 2001: A SPACE ODYSSEY, though flourishes of PATHS OF GLORY, A CLOCKWORK ORANGE and BARRY LYNDON do manage to figure prominently in the film's overall technique.

In a nutshell (no pun intended), Jack Nicholson and Shelly Duvall co-star with Oregon's Timberline Lodge - enlisted to portray the exterior of the Overlook Hotel - in a story that appears on the surface to be about ghosts and insanity, but deals with issues of child abuse, immortality and duality.

What the film might lack initially in terms of coherence is more than made up for in technique. Garrett Brown (the male voice in those old Molson Golden commercials), inventor of the Steadicam, chases young Danny Lloyd through hotel corridors and an amazing snow maze, providing magic-carpet-ride fluidity to scenes that ten years earlier would have been impossible to accomplish. If the film starts off too slow, remember who the director is. This man likes to take his time, and the results are well worth it: incredible aerial shots of the Overlook Hotel; horrific Diane Arbus-inspired twins staring directly at us; portentous room 237 and its treasure trove of terrible secrets; elevators that gush rivers of blood in slow-motion; Jack Torrance's immortality found via the hotel (akin to David Bowman's journey through the Space Gate); and some of the best use of pre-existing music ever assembled for a motion picture.

It would take a book to examine and defend the film's strong points and drawbacks. If you've never seen it, you owe it to yourself to watch it alone with the lights off, with no interruptions, and make sure that it's raining. This is a cinematic experience that changed my life at the age of 14. Makes a great double feature with Robert Wise's 1963 thriller THE HAUNTING.


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