After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement.Written by
Paul Reynolds <email@example.com>
David Cronenberg once called this the most frustrating film he'd ever made. The film was rushed through production - filming had to begin without a finished script and end within roughly two months so the financing would qualify as a tax write-off, forcing Cronenberg to write and shoot at the same time. Cronenberg also cited difficulty with and antagonism between the leads, particularly Patrick McGoohan and Jennifer O'Neill. See more »
Clearly visible stunt actors for both Cameron and Kim as the characters are briefly shown running away from the exploding phone booth. See more »
I want you to access the Ripe program. I do not have ConSec computer clearance.
Neither do I.
But you do have a nervous system. And so does a computer. And you can scan a computer, as you would another human being.
See more »
As the credits end, the words "Max Security Self Destruct Seconds 1" flash on the screen, then the screen flashes green, as if someone shut the monitor off. See more »
Additional change to censored version: in the final battle between Vale and Revok, they substitute a weaker ending which freeze-frames Vale, shows some phony-looking blue streaking animation of a "mind transfer" from Vale to Revok, and then fades the screen, replacing the spectacular, but gory battle almost entirely. See more »
Scanners is Cronenberg's venture into telepathy and the strange workings of the mind(he seems to do one movie on each theme, doesn't he?) While it is not as good as many of his other movies, it's still worthwhile.
First of all, the effects are really good. Some shots easily beat what the best CGI can do today, and some are just plain sick(you'll jump, I promise you). I was actually scratching my head over some things, thinking "how did they do that?", which is a good measure of special effects skills.
Second, the atmosphere is very powerful. It's a dark and unknown world in here, and no-one living in it likes it at all. The characters are all slightly off colour, subnormal. Our hero is no exception. The unknown Stephen Lack does a good-enough job, what with all the grimacing and psycho-playing. The supporting cast is over all sufficient. A treat is, as usual, Michael Ironside, who gives his pretty simple character a nice edge and a personality.
As for the story, it's sometimes hard to follow, and sometimes it lacks something. The ending is a bit rushed as well(even though the climax is incredible).
Still, Scanners is a cult movie and if you can find time, and you're in the right mood, it's certainly worthwhile for it's innovative gore, moody atmosphere and Michael Ironside.
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