The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement.Written by
Paul Reynolds <firstname.lastname@example.org>
A very early treatment from 1976, entitled "Telepathy 2000" takes place in the future, begins with the protagonist (who is named Harley Quinn) telepathically raping a woman in a subway, and was set as a spy movie. In this version, a company called Cytodyne Amalgamate was breeding evil Scanners to take over the world and the U.S. Government was employing good Scanners to stop them. See more »
Before the scene where Cameron is officially introduced to Kim at the apartment where all the good Scanners meet up, there is a zoom in on Darryl (Ironside) who is waiting outside. You can see Michael Ironside is standing on what is the end of the dolly tracks which is used to smoothly truck the camera in for the zoom camera move on his face. See more »
[strikes back at Cameron with scanner abilities]
All right. We're gonna do this the scanner way. I'm gonna suck your brain dry! Everything you are is gonna become me. You're gonna be with me Cameron, no matter what. After all, brothers should be close, don't you think?
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As the credits end, the words "Max Security Self Destruct Seconds 1" flash on the screen, then the screen flashes green, as if someone shut the monitor off. See more »
In the scene when Cameron Vale is in Revok's factory, he checks the computer. When we see the monitor, there's a green frame in this version and there's also a green frame at the closing credits. This version appeared on the VHS distributed by MOKÉP. See more »
Scanners is Cronenberg's venture into telepathy and the strange workings of the mind(he seems to do one movie on each theme, doesn't he?) While it is not as good as many of his other movies, it's still worthwhile.
First of all, the effects are really good. Some shots easily beat what the best CGI can do today, and some are just plain sick(you'll jump, I promise you). I was actually scratching my head over some things, thinking "how did they do that?", which is a good measure of special effects skills.
Second, the atmosphere is very powerful. It's a dark and unknown world in here, and no-one living in it likes it at all. The characters are all slightly off colour, subnormal. Our hero is no exception. The unknown Stephen Lack does a good-enough job, what with all the grimacing and psycho-playing. The supporting cast is over all sufficient. A treat is, as usual, Michael Ironside, who gives his pretty simple character a nice edge and a personality.
As for the story, it's sometimes hard to follow, and sometimes it lacks something. The ending is a bit rushed as well(even though the climax is incredible).
Still, Scanners is a cult movie and if you can find time, and you're in the right mood, it's certainly worthwhile for it's innovative gore, moody atmosphere and Michael Ironside.
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