The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement.Written by
Paul Reynolds <firstname.lastname@example.org>
David Cronenberg once called this the most frustrating film he'd ever made. The film was rushed through production - filming had to begin without a finished script and end within roughly two months so the financing would qualify as a tax write-off, forcing Cronenberg to write and shoot at the same time. Cronenberg also cited difficulty with and antagonism between the leads, particularly Patrick McGoohan and Jennifer O'Neill. See more »
When Cameron Vale first visits Kim Obrist, before going up the stairs to meet her, some lighting equipment and the boom microphone is reflected in the glass door as it closes behind him. See more »
[ConSec is holding a press conference on a scanner demonstration]
I would like to scan all of you in this room, one at a time. I must remind you that the scanning experience is usually a painful one... sometimes resulting in nosebleeds, earaches, stomach cramps, nausea. Sometimes other symptoms of a similar nature. There is a doctor present, Dr. Gattineau. I know that you've all been prepared for this, but I thought I'd just remind you just the same. There is one other thing... no one is to ...
[...] See more »
Credits scroll like words on the CONSEC computer monitor. See more »
The original Finnish video version is cut, especially the scene were Revok caused the other scanner's head to explode was trimmed. The re-released on VHs & DVD by Future Film in 1996 is uncut. See more »
Probably one of the best sci-fi social commentaries of our time.
Well, were to begin?
First off, when I first saw Scanners, it really didn't do that much for me. Nowadays, I've learnt to view the film through more enlightened eyes, and appreciate it for the masterpiece that is most rightfully is.
Apart from the much-lauded 'exploding head' scene (which could have used a little more blood spattering everywhere) one of the film's most chilling scenes is at the very beginning when the lead character, Cameron Vale (Stephen Lack) causes a woman to have a fit in a shopping mall before being captured by a pair of heavies. The scene was so convincingly played out that it really shock me up.
The more interesting aspect is the fact that most of these 'scanners'(or telepathic curiosities as the CEO of Consec calls them) are usually forced to live on the fringes of society as their telekinetic powers are feared and misunderstood by many. It would seem that the director, David Cronenberg, was using this plot device as a metaphor to comment on society's prejudicial attitudes towards the mentally ill. Like many of his low-budget horror films right up to 'The Fly' (1986) 'Scanners' has a very subversive, fly-on-the-wall take on society's ills. The modern society portrayed in 'Scanners' is a world viewed through the eyes of the outcast.
Throughout the film, there is a general feeling of starkness, from the synthesiser-tinged score by Howard Shore, to the general sparse look of the film. This gives the viewer a rather apt feeling of coldness and isolation.
Michael Ironside steals the show as the unhinged renegade scanner, Darryl Revok, who has a vast army of scanner converts at his disposal ready and willing to annihilate anyone unfortunate enough to stand in their way.
The only down side, however is the casting of Stephen Lack as Cameron Vale. Although he makes a fairly decent effort of playing his part, Lack just doesn't seem to have that much-needed 'spark' to bring his character to life.
All in all, 'Scanners' comes highly recommended as a 'must-see' feature.
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