Buff sailor man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who is out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to bust Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy taxman, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach.Written by
Dylan Self <firstname.lastname@example.org>
Along with Dragonslayer (1981), this Disney/Paramount co-production foreshadowed the studio's future. At the time, Ron Miller was head of Walt Disney Productions. Michael Eisner, who ended up taking his place, was in charge of Paramount at the time. As Miller became head of the entire Disney company, Miller wanted Eisner to be his successor and just run the studio, but Eisner wanted to run the whole thing and eventually did from 1984 to 2005. See more »
During the scene in the Diner where Whimpy sits down at Popeyes table there are two ketchup bottles present. Each time the shot switches perspective, one of the bottles keeps going from half full to completely full. See more »
The film opens and ends with the Sailor's Hornpipe, a famous nautical song. This song is heard as part of Popeye's theme song in the opening, then is heard in its full form at the film's ending. See more »
In the original theatrical and video release, the scene in which everyone abandons ship after Pappy rams Bluto's boat runs a little longer. The scene ends with Popeye diving into the water shouting out "Oh shit!" This has been removed from the DVD release. See more »
What's with all the bashing? I never get tired of watching this warm, visceral musical that pulls me in with its myriad textures, striking colors, and unpredictable pacing and dialogue which never seems contrived or scripted (and of course was often expertly improvised). It is the unfettered antithesis to all the shiny, over-produced media of our age. No pretty faces. No product placements. No feel of a commercialized film crafted to be anything other than a comedy musical adaptation of one of my favorite comic strips. It adapts the world of E.C. Daily's style, before King Features "cleaned it up" for animation. Disjointed, rambling...borderline insane, just like the comic! And the music is bonus all the way through. Quirky, playful, simple numbers that perfectly reflect the feel of the old comic. But then again, I liked Hudson Hawk and the Forbidden Zone, so you probably don't want to listen to me. I'm not holding my breath for a commentary-loaded SE DVD.
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