Buff sailor man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who is out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to bust Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy taxman, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach.Written by
Dylan Self <email@example.com>
When Bluto climbs his ship to announce curfew, the battery pack for his mic is visibly attached to his back, underneath his long underwear. See more »
Are you all right there? This ain't bad, is it? It ain't the Ritz; but, at least you get a little womb service here. It ain't no polashcle mansion either, but, we got somethin'. The best I ever saw.
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There is a statement in the closing credits: "Our gratitude to an international crew whose artistry helped to bring Sweethaven and the world of Popeye to life." See more »
A recent television version is altered in at least one way. Bluto's song "I'm Mean" is eliminated from the soundtrack as he trashes the Oyls' family home waiting for Olive Oyl. See more »
What's with all the bashing? I never get tired of watching this warm, visceral musical that pulls me in with its myriad textures, striking colors, and unpredictable pacing and dialogue which never seems contrived or scripted (and of course was often expertly improvised). It is the unfettered antithesis to all the shiny, over-produced media of our age. No pretty faces. No product placements. No feel of a commercialized film crafted to be anything other than a comedy musical adaptation of one of my favorite comic strips. It adapts the world of E.C. Daily's style, before King Features "cleaned it up" for animation. Disjointed, rambling...borderline insane, just like the comic! And the music is bonus all the way through. Quirky, playful, simple numbers that perfectly reflect the feel of the old comic. But then again, I liked Hudson Hawk and the Forbidden Zone, so you probably don't want to listen to me. I'm not holding my breath for a commentary-loaded SE DVD.
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