Buff sailor man Popeye arrives in an awkward seaside town called Sweethaven. There he meets Wimpy, a hamburger-loving man; Olive Oyl, the soon-to-be love of his life; and Bluto, a huge, mean pirate who is out to make Sweethaven pay for no good reason. Popeye also discovers his long-lost Pappy in the middle of it all, so with a band of his new friends, Popeye heads off to stop Bluto, and he's got the power of spinach, which Popeye detests, to bust Bluto right in the mush. Watch as Popeye mops the floor with punks in a burger joint, stops a greedy taxman, takes down a champion boxer, and even finds abandoned baby Swee'pea. He's strong to the finish 'cause he eats his spinach.Written by
Dylan Self <email@example.com>
When Popeye finds his pappy tied to the chair hanging from the ceiling in Bluto's ship, he takes his pipe out of his mouth before he hugs his pappy. Seconds later, the pipe is back in his mouth. See more »
He's Popeye the Sailor Man, he's Popeye the Sailor Man / He's strong to the finich, cause he eats his spinach / He's Popeye the Sailor Man!
I'm one tough gazookus, which hates all palookas / But takes on the up and square / I biffs 'em and boffs 'em , and always out-ruffs 'em / But none of them gets nowhere!
If anyone dares to risks his fists / it's buff, and it's wham, understand?
So keep good behavior, that's your one lifesaver / with Popeye the Sailor Man!
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The closing credits scroll over a scene of Bluto swimming across the ocean. See more »
In the original theatrical and video release, the scene in which everyone abandons ship after Pappy rams Bluto's boat runs a little longer. The scene ends with Popeye diving into the water shouting out "Oh shit!" This has been removed from the DVD release. See more »
It is very nice to see a revival of interest in this quirky little film. The art direction of this film is simply amazing, and deserved to win an Oscar for being able to completely capture the homely innocence of the story's setting, in rich detail.
Many have derided the story as unfocused, but there is an epic sweep to the storyline, which requires an episodic approach. This film requires paying attention on multiple levels, and rewards viewers who do so, as few other epic films have.
There are some detractors who can't handle the fact that the film is part Musical, but this is definitely in keeping with original cartoons, which frequently featured music in their storylines. In any event, the half-dozen or so songs come at appropriate intervals, and in some cases are Broadway quality set-piece showstoppers, like the scene in the Rough House Diner, and Pappy's diskgruntlement about Kids!
I will leave it to others to comment on the all-round fine ensemble acting, but I would like to finish by saying, that this is truly a film where the whole is greater than its parts. From the rich tapestry of Elzie Segar's original imaginings, to the lush production values brought to this vision by Robert Altman and company, this is a film that fails on some levels but succeeds on many more.
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