France, 1719. Four years after Louix XIV's death, Philippe d'Orleans is the regent for the nine-year-old Louis XIV. Philippe is a liberal and a libertine. His right-hand man, Dubois, an ... See full summary »
A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence ... See full summary »
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in ... See full summary »
Edouard Binet, an aimless Frenchman, has been travelling in North Africa for many years, and is sailing to Belgium. En route, he meets Sylvie Baron. He introduces her to Nemrod Lobetoum, a ... See full summary »
This movie depicts the authentic story of the hunt for the dangerous criminal Emile Buisson, who escaped from prison in 1947. During three years Buisson manages to hide from detective ... See full summary »
Who is Anton Haliakov, who has just been abducted by the M.I.5 in London? A Soviet scientist apparently. But sixteen years before the man had another identity, Clément Tibère, and another ... See full summary »
Jérôme, a senior executive, has just left his company. Determined to never work for nobody else ever again, he attempts to set up his own company, come what may, even ignoring the ... See full summary »
Valeria Bruni Tedeschi,
Robert Enrico was at his best during the sixties ,"les aventuriers" (1966) and "tante Zita" (1967) ;although deemed "commercial" at the time,these two works have something of a dirge.Actress Johanna Shimkus dies in the former -and her funeral under the sea is one of the most extraordinary sequence of the French cinema in the sixties- ,and has to cope with her aunt's death in the latter.Both feature François de Roubaix's sublime scores.
Afterwards,Enrico 's career became eclectic and erratic:"ho"(1968) which featured Jean-Paul Belmondo and Shimkus again was clearly uninspired and "le boulevard du rhum" was not adequate a vehicle for Brigitte Bardot's career then on the wane.He won a cesar for "le vieux fusil" ,but if the first third which enhances Romy Schneider's frail beauty is quite moving ,what remains ,the castle ,complete with dungeons,secret passages and two-way mirrors ,recalls Louis Feuillade's silent movies circa 1914.
"Pile ou face" recalls the worst Chabrol movies.Two stories intertwines and do not sustain interest: has a man (Serrault) killed his wife?Who pulls the strings in a drug affair among the young men of means?Robert Enrico,who directed the two great movies I mention at the beginning of my comment with taste and sensitiveness,has called it a day here.His two actors,Serrault and Noiret("le vieux fusil" hero),hog the stage and drown him out.Generally the French critics were laudatory as for their performances ,but I find them boring and irritating:Noiret has never been so vulgar,he who can act with finesse .
"Au nom de tous les miens" (1983) from Martin Gray did something to restore Enrico's reputation,but he never found back his state of grace of the mid-sixties.
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