Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.Written by
John Vogel <firstname.lastname@example.org>
The first draft of the screenplay took a year and a half to write, and the second took another year. It was very difficult to adapt this novel, since it relied heavily on the characters' unspoken inner dialogue with sparse descriptions of characters or settings. Robert Redford had decided to direct the picture when the novel was still in galley form. See more »
When Karen and Conrad at the restaurant, the straw in Karen hands starts unwrapped, then becomes wrapped, and then suddenly jumps into the Coke. See more »
I saw this movie in a very old theatre in Maastricht, Netherlands. I was astonished by the beauty of the plot, the character played by Timothy Hutton and Donald Sutherland. The most impressive thing was at the end. Everybody left the theatre in complete silence. People were touched and had tears in their eyes. This movie moves people. It is a story so close to reality and so well played by the actors. One really hates Mary Tyler-Moore at the end for being a bitch first class, a mother with no feelings for her youngest son. Judd Hirsch is very funny in acting as a psychologist. He plays it so naturally as if he had seen one for several years. In my opinion Robert Redford directed his best movie ever in Ordinary People.
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