Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.Written by
John Vogel <firstname.lastname@example.org>
First film as a director for Robert Redford. Reportedly, Redford's salary for this film was scale, receiving only around $53,066, the Director's Guild minimum wage. For many years, Redford had been intending to one day become a film director. Prior to this movie, Redford had been starring in Brubaker (1980), a film whose shooting schedule went over-time and consequently Redford had to start work on this picture with very little time at all between projects. See more »
When Karen and Conrad at the restaurant, the straw in Karen hands starts unwrapped, then becomes wrapped, and then suddenly jumps into the Coke. See more »
Conrad "Con" Jarrett:
It's impossible after all the shit I've pulled.
What shit have you pulled?
Hey, remember, I'm talking proportion here, now what shit?
C'mon, you must be able to come up with at least one example.
And don't give me, "I tried to kill myself." That's old turkey.
See more »
The setting for this movie is seemingly appropriate for characterizing frustrations...The North Shore!!...Chicago's sequestered citadel of professional and avaricious elitism...A three million dollar home, trips to Europe, your kids going off to the most expensive colleges in the country, remodeling your kitchen every couple of years, and, your work-less, socially active wife being a permanent fixture at Marshall Fields!! All of these trademarks of success are taken for granted, and, they are merely expectations for the ultimate definition of a quiet bedroom community!! Acquisition of status is no longer excitement, it is, in fact, a given...The only devastating misconception to this entire scenario is that people living in the North Shore are not superhuman, they are merely overburdened, socially, financially, physically, mentally and, as this film so brilliantly depicts, EMOTIONALLY!! There is a prevailing mentality of a mandated and bothersome agenda that all of the characters in this movie must adhere to!!...The Jarretts (Donald Sutherland, Mary Tyler Moore and Timothy Hutton) are a family who are shattered by perpetual tragedy and isolation, each one of them does not know what to do about the fact that the other son, Buck, has died, and Conrad (Timothy Hutton) has attempted to commit suicide!! So much of this film deals with how the misunderstanding of each other is the monster that will win out!!.. Perseverence is something that the mother thinks she can handle, but, in fact, she cannot!! The son, Conrad, lacks the necessary social stamina for the incredibly tedious task of sustaining! Finally, the father needs a bevy of facts to gather up in order for him to attain a pleasant resolve by which everyone in his family may live by!!.. This catastrophic dilemma is answered with social gatherings, vacations, an inordinate preoccupation with moral facades, and expensive therapy!! The bottom line is that a tragic undermining to every critical situation in this movie continuously prevails! Ultimately, this troublesome circumstance is such whereby Conrad and his parents need more time than this movie allows to heel all wounds even on a superficial level...Director, Robert Redford, has an incredible insight in this movie, and many white collar executive households share the exacerbations and misgivings of financial competition that this Lake Forest household had to endure!!..."Ordinary People" won for best picture in 1980, and, it is no wonder...The despondence the Jarretts faced was a horror story that could teach Stephen King a couple of tricks... The Mother feels as though she must create an illusion of contentment to the outside world, even if it is at the risk of neglecting her family's needs...Masquerading pretenses seems to have become her self-centered pet project...The father, while well intentioned, is meager and adolescent in his approach to coping with the household's turbulent consternation..It is almost as if he expects a resolution to his family's problems to be put in his stocking on Christmas morning...The son, Conrad, just resigns himself to misery and arctic desolation!! The overall predicament in this film has a frightening simplicity... The Jarret's aggregate plight is that they are alone, unhappy and confused!! Judd Hirsch is terrific as the shrink who feels sorry for this high school kid (Conrad). Conrad Jarrett is compelled to have therapy sessions with him,(Judd Hirsch). As a psychiatrist, he knows that he has to go through professionally therapeutic procedures to actually help him out...The greatest help he can offer Conrad is that he must convey to him that his problems can only be solved one step at a time. This psychiatrist (Judd Hirsch) cannot simply utter some miracle mumble jumble like Conrad's father expects him to do!! "Ordinary People" is about ordinary, well to do, upper middle class people, these are people who constantly admonish themselves for making mistakes!! They perennially imitate wealthy people, which means they are continuously fighting a losing battle! Genuine problems such as a son attempting suicide have to take a back seat to endeavors which are along the line of status games and pusillanimous charades of compulsory escalation into the realm of social register advancement!!.. Just another $250,000.00 yearly income household...ho hum!!...What is bothering you? "Everything!!" "Did we say that"..."We mean to say that nothing at all is bothering us"....The purpose of a two acre piece of property is not to be a voice in the wilderness.. Apocalyptic human pitfalls rest on apathetic shaky grounds in Chicago's North Shore Suburbia, and, they are indiscriminately shelved off into a dubious haven of callous anonymity!! Calvin Jarrett is plagued by the shattering realization of just how pitiful it is to have to attend your own son's funeral!! Tragedy fights dirty pool when it will not even allow the Jarretts to know exactly what the unanswered questions are in their dreadfully befuddled lives!! This situational dilemma manifests itself by pointing out several acrimonious facts: People who seem alright may not be. Household upheaval and family hardships will go quite awhile before they are even mollified. Also, the beautiful cinematography of the deciduous Lake Forrest autumn erupts as a polar opposite to what emotional ugliness lurks in the Jarrett's domicile!! This movie concludes at a glimmer of hope for Conrad, which symbolizes a demoralizing, and almost hopelessly rudimentary progress for the entire Jarrett Family, YES!! this is very, very, very, DEPRESSING!!! Unfortunately, this situation is extremely realistic! "Ordinary People" is an outstanding movie for a variety of reasons.. Mostly for the fact that it illustrates how clinical depression cannot be instantly cured just because there are only 18 minutes left to the movie!! I give it five stars out of five stars!!!
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