A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange ...
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In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Antonio's friend Bassanio is in love and needs money to go courting. Using Antonio as his collateral, he borrows money from Shylock. But when the debt comes due, Shylock demands repayment ... See full summary »
King Leontes of Bohemia suspects his wife, Hermione, and his friend, Polixenes, of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events ... See full summary »
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly ... See full summary »
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed ... See full summary »
When Pericles discovers the dread answer to Antioch's riddle, he flees for his life straight into famine, shipwreck, love, fatherhood, and another shipwreck; he loses his wife and daughter,... See full summary »
David Hugh Jones
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.Written by
I use this version to accompany my British Lit unit. I own all of the versions and while I love Olivier, the modernization of the play makes the themes of the play more difficult to imagine. The most recent one has so many cut lines and frankly nudity that I am not showing in my classroom, that I am left with this version. As an earlier poster stated Gemma Jones is too old for the part and not attractively made up, but maybe that age gives a sense of maturity that makes her knowledge easier to accept. In addition, when Shylock is forced to kiss the cross, I and my class always discuss the uncomfortable feeling of denying someone their heritage. The play is full of conflicts but to a certain degree if it didn't, the play would be somehow condoning the very acts we find repulsive today. The limits of the Jews, women, and social class are all symbolized in the caskets. If one is to see how this can be used in a modern connotation, you only have to ask students who has the newest ipod, car, or house and they see the concept of gold, silver, or lead in a very modern light. I warn them before they see the play that they are watching a filming of a play, the costumes are Elizabethan, not the period it would have been lived and the acting is somewhat the result of BBC trying to pump out all of the Shakespeare plays on a limited budget, but all the lines are there!
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