This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!Written by
Jason Robards was nominated for the Best Actor in a Supporting Role Oscar for playing Howard Hughes in this movie. It was the third time in five years that Robards had been nominated in this category at the Academy Awards. The first two times, in 1977 and 1978, Robards had achieved the extraordinary feat of winning back-to-back Oscars. The films Robards won consecutive Academy Awards for were Julia (1977) and All the President's Men (1976). See more »
The scene where Melvin and Linda are gambling in the casino, their young daughter is sitting with them. Minors are strictly forbidden in any casino gaming areas, especially next to the tables. See more »
No Special Effects, No Mega-Buck Stars, Just a Great Film
In this day of $100 million plus movies with special effects that drown out the dialog and stars with out-sized egos and paychecks to match, a film like Jonathan Demme's minor masterwork, "Melvin and Howard," would be lucky to get a video distributor. Even a quarter century ago on its initial release, the film was largely ignored by audiences despite glowing reviews, Academy Awards, and critics kudos. However, those who make the effort to seek out this wonderful fable will be rewarded. Based on a story that may or may not have been true, "Melvin and Howard" spins the tale of an easy going hard luck kinda guy named Melvin Dummar who gives a lift to an old man he finds asleep in the desert. The man says that he is Howard Hughes, and, years later, when Hughes dies, Melvin finds a will that has been left on his filling station desk that names him as one of the heirs to the Hughes fortune. Since we know the ending before the film starts, the pleasures lie in the quirky characters and situations that screenwriter Bo Goldman and a terrific cast have created. Despite the circus that surrounded the question of the will's validity, Melvin was content just knowing that, during their drive, Howard Hughes had sung a song that Melvin had written. His evident joy in that simple event was a rare personal quality even in 1980. There are a lot of other unpretentious, yet memorable, moments in this outstanding film.
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