A psychotic man, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Frank Zito misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna D'Antoni takes a picture of him in the park, and he pursues and befriends her. Is she the one he has been looking for or just another mother wannabe?Written by
Ed Sutton <email@example.com>
Michael Sembello recorded a version of "Maniac" as the title track for a soundtrack for this film that was never released. While the lyrics are lurid and violent as reflections of what the movie was like, the song later caught the attention of producers who got Sembello to record a new version that matched the film they were working on. That film was Flashdance (1983) and "Maniac" became a #1 hit song on its soundtrack. See more »
When the prostitute gets scalped, fresh blood runs down her face. However when Frank pulls off the scalp, the blood appears splotched or dried up. See more »
Don't kill me. Don't kill me. Frank, don't kill me.
No, no. I'm not going to kill you. I'm just going to keep you so you won't go away ever again!
[drives a switchblade into her heart]
See more »
The director's cut, released on DVD in the US, is actually shorter. Although it contains all the graphic violence, a scene depicting Joe Spinell in a hotel room with a prostitute has been shortened. Another scene showing Joe and the photographer in a restaurant has been completely removed, but is added to the DVD as an extra. See more »
Excellent make-up FX and claustrophobic atmosphere.
I'd first like to applaud Tom Savini for his work here; MANIAC contains some of the most realistic and unrestrained gore fx I've seen; possibly THE best up until the time of its release. Anyone who says that horror film make-up men (and women) don't deserve to be called artists is an idiot. Here you get explicitly bloody murders and scalpings, plus a show-stopper head-being-blown-off-with-shotgun murder and a man being ripped apart nightmare and it all looks pretty damn convincing to me.
Aside from the effects, director William Lustig does an OK job with color schemes (especially considering the budget) and the grimy, sleazy underbelly of New York is brilliantly exploited to give this film a truly nihilistic and seedy feel. The film itself, I thought, was scary, disturbing, intense and even suspenseful in parts (the subway sequence was especially well handled), which is how it should be. Reliable character actor Joe Spinell (from TAXI DRIVER, THE GODFATHER, etc.) also offers an effective performance as the sweaty, overweight, emotionally- scarred killer.
On the down side, a plot would have been nice and it's unforgivable to waste British actress Caroline Munro on such a poorly scripted nothing role. Her beauty, charm and smile light up the screen and could have been better harnessed to counteract the ugliness on hand. Anyway, the film at least provokes some kind of reaction from its audience. Seeing a few of my squeamish female friends appalled and horrified by the film made it well worth the watch to me!
25 of 28 people found this review helpful.
Was this review helpful to you?
| Report this