Estefãnia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move ...
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Estefãnia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.Written by
Submerged Morning, an awful title for a wonderful film!
Who would prefer a "submerged morning" (meaningless in English) to the adequate rendition of the poetic original title, "morning mist"? Someone did. And that title may put off a number of people from watching this video. What a shame. The story is about a poor boy from a poor, rural family, that gets a high-school education in a catholic seminar as - in those days, which I'm old enough to recall, the 1950s - only the filthy reach or those living a large town could afford that luxury. And those that were determined to go into priesthood, often for the wrong reasons. The author of the novel - one of the best contemporary Portuguese writers, that you should try to read if you get hold of a translation - has done a romanticized autobiography here, and even plays the rector of the seminar, with top-notch marks. If you are not so much into social dramas, and religious and psychological conflicts, you should try to see this movie anyway: it has the best of Portuguese rural and mountain landscapes, the best cinematography, and wonderful music. Writing this made me refresh my memory of those magnificent views - aaah! - so that one even breathes fresh air. This film is the product of two loves that multiplied into a work of art, almost perfect: the words of Virgílio Ferreira, and the direction of Lauro António. I'm not so fond of Lauro António as a movie critic, but his film, this film, is definitely RECOMMENDED.
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