During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older ... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
Director Nicholas Ray is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1982) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.Written by
Karl Engel <firstname.lastname@example.org>
I didn't come here to talk about dying Nic... but we might have to.
But we might have to?
I was looking forward to seeing you, because I need your advice. You told me on the phone that you wanted to see me, but I was afraid to come too. And I think I'd rather tell you right now; why. I was aware that I'd see you in weakness, and... that... you might be worried about being seen this way. But I feel it's okay now. There is something else that came to my mind in the plane last night, that I'm ...
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this is a film i forced myself to watch in order to complete a speech in german about wim wender's amerkiabild. it is all about the death of a cancer ridden man. that is about all of the plot i could figure out.
the images, as is usual with wender's films, are striking and pungent to the hollywood-movie-goer senses. the scenes in this movie are about the slowest i have ever seen. i did find a few rewarding scenes here and there scattered throughout the chaos. the graduate monkey, the speech at vassar college, and the alarm clock scene to mention a few.
that is about all i know on this one.
i give it two riders of the apocalypse.
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