During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him. Writer Eugene follows them and writes their story, as a way of recording dreams is being invented.
A Commander receives a citation for an attack on General Erwin Rommel's headquarters, which is actually undeserved, as the Commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
Director Nicholas Ray is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1982) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.Written by
Karl Engel <email@example.com>
Stanislavski was a dirty word. Improvisation was a dirty word. I think it's because there is that superfluity of talent in Hollywood, that I'm as uncomfortable as I am living there. It, uhh... you go home very night thinking, '... a waste, waste, waste'. I don't like the lifestyle. I did. I loved it for a while, but it didn't get done the things that I wanted to do. It's very tempting. It's very easy to compromise... and if you turn it down a couple of times you're 'difficult'. And if you're ...
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After Nicholas Ray died, Wenders was too depressed to help edit the film, so he left it to . Przygodda spent a year working on it and this was the 116-minute version shown at the Cannes Film Festival. Wenders however, was disturbed by this version and found it depressing and obscure. He spent three months with re-editing the film. Aside from cutting more than 25 minutes, he added more footage of Susan as well as his narration of Ray's diary. This 91-minute version is the one distributed by the Wim Wenders Foundation. See more »
this is a film i forced myself to watch in order to complete a speech in german about wim wender's amerkiabild. it is all about the death of a cancer ridden man. that is about all of the plot i could figure out.
the images, as is usual with wender's films, are striking and pungent to the hollywood-movie-goer senses. the scenes in this movie are about the slowest i have ever seen. i did find a few rewarding scenes here and there scattered throughout the chaos. the graduate monkey, the speech at vassar college, and the alarm clock scene to mention a few.
that is about all i know on this one.
i give it two riders of the apocalypse.
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