During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, ... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
Director Nicholas Ray is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1982) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health. Written by
Karl Engel <firstname.lastname@example.org>
I didn't come here to talk about dying Nic... but we might have to.
But we might have to?
I was looking forward to seeing you, because I need your advice. You told me on the phone that you wanted to see me, but I was afraid to come too. And I think I'd rather tell you right now; why. I was aware that I'd see you in weakness, and... that... you might be worried about being seen this way. But I feel it's okay now. There is something else that came to my mind in the plane last night, that I'm ...
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Wenders gives the viewer the impression that this is a simple movie, but it is not. Fans of Wenders will recognize director Nicholas Ray's apartment as a location for the film, American Friend. But not only is Ray simply dying, he dies, and the "documentary" has to change, and so it does, with grace, pain, uncertainty, and a host of other emotions and observations. The music, much of it featuring Ronee Blakley, doing what sounds like an attempt at light punk rock and country-folk rock, with a definite Patti Smith influence, is very effective. Like every film I have seen by Wenders, it looks beautiful and often unusual, and the pacing is leisurely, and by Hollywood standards, slow. However, anyone who likes Wenders and likes Ray--and let's face it, if you say you are a fan of American film, and you neither like nor know Nicholas Ray, you are an ignorant piker, poser--will benefit from screening this movie, and probably be moved like hell by it.
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