In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by
Keith Loh <firstname.lastname@example.org>
This movie set in during the Sengoku Period of Japanese history. Also known as the Warring States Period, it went from around the mid 16th Century (1500s) to the beginning of the 17th Century (1600s). It was a period of constant political turmoil, social rebellion and military war. It eventually resulted in the creation of the Tokugawa Shogunate which unified regional politics and gave political stability to Japan. See more »
In the scene where Oda Nobunaga dances the Atsumori. His kimono bears the Mon (insignia) of his (then) retainer Toyotomi Hideyoshi. There's no reason indicated for why he'd do that. See more »
I know it is difficult. I was for a long time the lord's double. It was torture. It is not easy to suppress yourself to become another. Often I wanted to be myself and free. But now I think this was selfish of me. The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing.
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Akira Kurosawa's "Kagemusha" (1980) is one of those tremendously long films that somehow never drags. The plot is about a petty thief who is about to be crucified but is saved by a Japanese warlord called Lord Shingen because of his amazing resemblance to him and is used as a double. When the Lord is killed, and because of a plan laid by Shingen before he died, the so-call "Shadow Warrior" must impersonate the Lord for three years. Aided by this clever plot, Kurosawa shows us Japanese court ritual, with help by a brilliant performance by Tatsuya Nakadai, gives a fascinating picture of fifteenth century Japan. This a fabulous movie, with a particularly moving ending, that shows just how great Akira Kurosawa is.
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