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Kagemusha (1980)

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1:28 | Trailer
A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.

Director:

Akira Kurosawa
Nominated for 2 Oscars. Another 20 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tatsuya Nakadai ... Shingen Takeda / Kagemusha
Tsutomu Yamazaki ... Nobukado Takeda
Ken'ichi Hagiwara Ken'ichi Hagiwara ... Katsuyori Takeda
Jinpachi Nezu ... Sohachiro Tsuchiya
Hideji Ôtaki Hideji Ôtaki ... Masakage Yamagata
Daisuke Ryû ... Nobunaga Oda
Masayuki Yui ... Ieyasu Tokugawa
Kaori Momoi ... Otsuyanokata
Mitsuko Baishô Mitsuko Baishô ... Oyunokata
Hideo Murota Hideo Murota ... Nobufusa Baba
Takayuki Shiho Takayuki Shiho ... Masatoyo Naito
Kôji Shimizu Kôji Shimizu ... Katsusuke Atobe
Noboru Shimizu Noboru Shimizu ... Masatane Hara
Sen Yamamoto Sen Yamamoto ... Nobushige Oyamada
Shuhei Sugimori Shuhei Sugimori ... Masanobu Kosaka
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Storyline

When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Genres:

Drama | History | War

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan | USA

Language:

Japanese

Release Date:

10 October 1980 (USA) See more »

Also Known As:

Kagemusha See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$4,000,000

Cumulative Worldwide Gross:

$4,017,462
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (International Cut)

Sound Mix:

Dolby | 4-Track Stereo (Japan theatrical release)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The leading roles of Lord Shingen and his double were tailored for Shintarô Katsu (The Tale of Zatoichi (1962)) and his brother, also an actor, Tomisaburô Wakayama. After Wakayama excused himself from the project, Katsu was to play both parts himself. However on the first day on set it became clear that Katsu's and Kurosawa's personalities and approach to filmmaking were not compatible and Katsu was promptly dismissed. This created a major crisis in production of the film as well as a field day for the media. See more »

Goofs

In the scene where Oda Nobunaga dances the Atsumori. His kimono bears the Mon (insignia) of his (then) retainer Toyotomi Hideyoshi. There's no reason indicated for why he'd do that. See more »

Quotes

Shingen Takeda: Even with this resemblance, Nobukado, he is so wicked as to be sentenced to crucifixion. How could this scoundrel be my double?
Kagemusha: I only stole a few coins. A petty thief. But you've killed hundreds and robbed whole domains. Who is wicked, you or I?
See more »

Alternate Versions

In the original Japanese version, there are 20 minutes featuring Kenshin Uesugi. For some reason, these scenes were cut out of the USA version. See more »

Connections

Referenced in Life Itself (2014) See more »

Frequently Asked Questions

See more »

User Reviews

 
incredibly BIG and beautiful but also very sterile
16 February 2006 | by MartinHaferSee all my reviews

I have seen nearly all of Akira Kurosawa's films, so my opinion shouldn't be completely ignored. Although I am in the distinct minority, I didn't particularly like KAGEMUSHA. Yes, it was big and beautiful and had great scope but it was also emotionally sterile and bore little resemblance to Kurosawa's earlier, more famous works. The same, by the way, can be said about RAN. Both films had relatively HUGE budgets but the dialog and connectedness between the characters was lacking. As a result, I felt pretty bored when I watched both of them--especially this film.

So, if you compare these two movies with THE 7 SAMURAI or YOJIMBO, for example, they seem VERY different. These older films, though not filmed in color, had a greater sense of humanity about them--great importance was placed on the INTERRELATIONSHIPS between the characters AND the camera work was very different, with more closeups and a more intimate feel. So, while RAN and KAGEMUSHA were pretty to look at, I felt much more detached from them and cared much less about the characters. I really think the problem with these two movies, and the reason I like them less than the average Kurosawa film, was that the big budget in these later films actually HURT them, as too much emphasis was placed on effects and dialog was purely secondary.

So, in summary, I am the odd-ball that didn't love this film. You will probably disagree and might be tempted to mark my review as "not helpful", as the reviews on IMDb are generally glowing. But having seen many Japanese films, I can't help but feel there are better films out there waiting to be seen. Most any other Kurosawa film, and films by other great directors (such as THE SAMURAI TRILOGY, the films of Yasujiro Ozu) are more appealing to me. I think the popularity of this film is in part due to its having been seen in theaters by more Westerners than any other of Kurosawa's films--SEEK OUT HIS EARLIER AND MID-CAREER FILMS--they are better and far more emotionally involving.


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