In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom.Written by
Keith Loh <email@example.com>
This movie set in during the Sengoku Period of Japanese history. Also known as the Warring States Period, it went from around the mid 16th Century (1500s) to the beginning of the 17th Century (1600s). It was a period of constant political turmoil, social rebellion and military war. It eventually resulted in the creation of the Tokugawa Shogunate which unified regional politics and gave political stability to Japan. See more »
In the final battle there are at least 100 riflemen shown firing their matchlock rifles in volleys. The smoke generated by the matchlocks almost immediately dissipates. This indicates a more modern gunpowder was used in the matchlocks as the historically correct black powder load would blanket the battlefield with thick smoke after a handful of volleys. See more »
I am wicked, as you believe. I am a scoundrel. I banished my father and I killed my own son. I will do anything to rule this country. War is everywhere. Unless somebody unifies the nation and reigns over us, we will see more rivers of blood and more mountains of the dead.
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In the original Japanese version, there are 20 minutes featuring Kenshin Uesugi. For some reason, these scenes were cut out of the USA version. See more »
I am a fan of Kurosawa and have seen many of his films many times. There is a sweep and an ache to Kagemusha that is genuine and has remained in my heart's memory. Unlike Ran, it is not Shakespearean. Unlike Seven Samurai, my favorite all-time film and I believe the best film ever made, it is not a western.
Although epic, it is about a sweet and rueful soul swallowed by karma and history. It is redemptive without overt sentiment, and the lead performance by Tatsuya Nakadai is nuanced and unforgettable.
I will always remember this film, not for its complexity or savagery, but for the simplest moments between Lord and subject, between the highest self and the lowest self, and most particularly, the very real pain of a man caught in the vise of his own life and death.
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