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Inferno (1980)

An American college student in Rome and his sister in New York investigate a series of killings in both locations where their resident addresses are the domain of two covens of witches.

Director:

Dario Argento

Writer:

Dario Argento (story and screenplay)
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Cast

Cast overview, first billed only:
Leigh McCloskey ... Mark Elliot
Irene Miracle ... Rose Elliot
Eleonora Giorgi ... Sara
Daria Nicolodi ... Elise De Longvalle Adler
Sacha Pitoëff ... Kazanian (as Sacha Pitoeff)
Alida Valli ... Carol, the caretaker
Veronica Lazar ... The Nurse / Mater Tenebrarum
Gabriele Lavia ... Carlo
Feodor Chaliapin Jr. ... Professor Arnold / Dr. Varelli (as Feodor Chaliapin)
Leopoldo Mastelloni Leopoldo Mastelloni ... John, the Butler
Ania Pieroni ... Music Student
James Fleetwood James Fleetwood ... Cook
Rosario Rigutini Rosario Rigutini ... Man
Ryan Hilliard ... Shadow
Paolo Paoloni ... Music Teacher
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Storyline

Three years after the incident of the dance academy in "Suspiria", a new group of people are being watched in a New York City apartment building by a mysterious and evil force hell bent on revenge! When young poetess Rose Elliot finds out too much about the place (via an ancient book called "The Three Mothers"), she gets beheaded! The only person to stop the killings and uncover the secrets is her brother Mark, a music student in Rome. As he solves the puzzle, the murders get intense, and the demonic evil starts to reveal itself. As the unstoppable horror spreads from Rome to New York City, this unholy trinity must be stopped before the world is submerged in the blood of the innocent. Written by <alex-dombrowski@student.bcc.ctc.edu>

Plot Summary | Plot Synopsis

Taglines:

Terror that's hotter than hell! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian

Release Date:

2 April 1980 (USA) See more »

Also Known As:

Inferno See more »

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Box Office

Budget:

$3,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Produzioni Intersound See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

Dolby Stereo (Dolby Stereo) (5.0 Surround Sound) (L-R)| 3 Channel Stereo (5.0 Surround Sound) (L-R)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The name of the ancient book by alchemist E. Varelli was "The Three Mothers". See more »

Goofs

During the cat attack, a human hand can be seen throwing some cats at the actress. See more »

Quotes

Sara: Have you ever heard of the Three Sisters?
Carlo: You mean those black singers?
Sara: No, I'm talking about mythology.
Carlo: Hold on, if you're talking about spooks and stuff, I don't believe in any of that.
Sara: How can you be so sure?
Carlo: I don't believe in such things, that's all, and without any philosophical discussion.
Sara: Then what do you believe in?
Carlo: In whatever I can see and touch.
See more »

Connections

Referenced in Fear, Panic & Censorship (2000) See more »

Soundtracks

Va' pensiero...
(from opera "Nabucco")
Music by Giuseppe Verdi'
Performed by Orchestra Sinfonica Nazionale della Rai (as Symphonic Orchestra and Chorus of Rome Radio Televisione Italiana)
Chorus master by Gaetano Riccitelli
Conducted by Fernando Previtali
Courtesy of Fonit Cetra
See more »

Frequently Asked Questions

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User Reviews

The Stuff Of Nightmares
29 May 2005 | by LechuguillaSee all my reviews

This is a film about witches, ancient alchemy, and death. The atmosphere is Gothic and medieval. But the setting is modern. Most scenes take place in small, stylish interior spaces. For lighting, Argento uses the glow from indirect sources (mostly blue, red, and orange hues), and alternates this with darkness. In combination with the lighting, the film's sound effects, which alternate with silence, are appropriately spooky. And Keith Emerson's soundtrack, with all that organ music, contributes to the Gothic tone. One of the best parts of the entire film is the rock-opera opus from the chorus at the film's end, with that great beat, and lyrics that are indecipherable.

The nightmarish atmosphere, while maybe not quite as stunning as in "Suspiria", is more than adequate to induce suspense, anticipation, and a sense of danger. From out of the darkness and stillness comes "death", in all its horrific cruelty. As a "horror" film, "Inferno" is fairly pure, in that the plot is more or less self-contained. There are only brief references to the "real" world, outside the confines of the story.

The film's plot is indeed thin, and functions really as an excuse for the actors to move from one atmospheric set to the next. The script does not require great acting skills, mercifully, since great acting is nowhere to be found.

Of the various Argento films I have seen, "Inferno" is perhaps my least favorite. It does not have the conviction of Argento's other works. It seems more like a half-hearted sequel, an afterthought, to "Suspiria". Like most sequels, I find it less satisfying than the original, the soundtrack notwithstanding. Still, for Argento fans, "Inferno" is a must-see, if for no other reason than for purposes of comparison.


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