James Hatcher embezzles ten million dollars from a joint mafia and C.I.A. operation, leaving them squabbling with each other. Unemployed accountant Lewis Kinney gets caught up in the intrigue, and must try to recover the money himself.
Threatened with recapture after a prison escape, Martin Stechert grabs a twelve-year-old as hostage. He proves to be named Martin, too, a quiet "good little boy" always obeying the rules, ... See full summary »
In a post-apocalyptic world divided between two groups called the Flockers and the Ravagers, an adventurer and his "pleasure girl" try to find their way to a rumored safe haven called the Land of Genesis.
An influential businessmen is stressed out by work. This leads to him being unable to perform in bed. He gets paranoid that his wife will start cheating on him. This idea, however, slowly becomes more and more appealing to him.
Drillers on an oil rig near Antarctica discover that they have accidentally brought up several prehistoric eggs. One egg hatches and becomes an unstoppable creature. Chad Everett and Jennifer Warren risk their lives to stop it.
A young man is in love for the first time. However, his girlfriend is older than him, from a rich family and has more experience with relationships. Their love is sometimes emotionally draining, but physically very passionate. Can it last?
James Hatcher embezzles ten million dollars from a joint mafia and C.I.A. operation, leaving them squabbling with each other. Unemployed Lewis Kinney gets caught up in the intrigue, and must try to recover the money, while saving the beautiful Lise Hatcher (hopefully for himself).Written by
The Canadian movie "Highpoint" is a strange movie. On one hand, it wants to be a serious homage to the kind of thrillers Alfred Hitchcock made. But on the other hand, it also wants to be a kind of spoof of those Hitchcock movies. Needless to say, mixing the two tones results in quite a mess. It's obvious that the filmmakers tried to save this in the editing room, but the different tones still result in an inconsistent feeling. It doesn't help that each tone isn't very well done. The mystery angle isn't very clear, and the comedy is painfully unfunny (they even try doing a chase sequence Keystone Kops style.) The movie looks a lot better than most other Canadian movies from the same period (it obviously had an ample budget), but its slickness doesn't hide its unsatisfying soul. Only for viewers who really want to see how Canadians would do Hitchcock... or who want to see Christopher Plummer sport a ridiculous-looking moustache.
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