| Cast overview, first billed only: | |||
| Cloris Leachman | ... | Aunt Louise | |
| Charles Martin Smith | ... | D.J. | |
| John Vernon | ... | Prindle | |
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Stephen W. Burns | ... | Pete (as Stephan W. Burns) |
| Elyssa Davalos | ... | Melissa | |
| Joaquin Garay III | ... | Paco | |
| Harvey Korman | ... | Captain Blythe | |
| Richard Jaeckel | ... | Shepard | |
| Alex Rocco | ... | Quinn | |
| Fritz Feld | ... | Chief Steward | |
| Vito Scotti | ... | Armando Moccia | |
| Jose Gonzales-Gonzales | ... | Garage Owner (as Jose Gonzalez Gonzalez) | |
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Ruben Moreno | ... | Store Owner |
| Tina Menard | ... | Store Owner's Wife | |
| Jorge Moreno | ... | Bus Driver | |
Pete Stancheck inherits from his Uncle Jim Douglas a race car being stored in Puerto Vallarta. With his friend Davy Johns (D.J. to his friends) accompanying him to P.V., Pete is dismayed to learn that the car is an older model Volkswagen Beetle. But when Pete and D.J. see what the car can do and learn that it somewhat has a mind of its own, they decide to enter it into the Brazil Grand Primeo formula one race. En route to Rio de Janeiro, Herbie, the car, gets Pete and D.J. into one predicament after another as it tries to help its new friend, a streetwise orphan named Paco, who Pete and D.J. encountered in P.V. and who stowed away in Herbie's trunk. Because of these predicaments, Pete and D.J. end up requiring a quick influx of cash and slyly enlist the help of wealthy Louise Trent and her bookish niece, anthropology doctoral candidate Melissa, to be their financiers. Pete's role in the scheme is to woo the shy Melissa, about which he feels guilty. But initially unknown to all of them... Written by Huggo
This was the last Herbie movie to my knowledge. If it wasn't the last, it was defintely the worst. What else do you call a movie when a Mexican child calls Herbie "ocho" ( he adds up Herbie famous number "53" and gets eight). Then this Mexican child does a horrible paint job and starts using Herbie to run a taxi service. In my humble opinion the only reason to watch this film is to see what sort cellouiod trash Disney was putting out before Michael Eisner took over.