A man's best friend is killed on the streets of New York City. The man (Robert Ginty) then transforms into a violent killer, turning New York City into a great war zone, and Christopher George is the only one to stop him.
When his wife and son are brutalized by thugs and a corrupt criminal justice system puts the perpetrators back on the street, a New York City factory worker turns vigilante to find some measure of bloody justice.
In the year 3000, the Earth has turned into a desert after nuclear war. A group of survivors runs out of water, so they need to search for the valuable water, but it will not be easy because other group also wants to get it at any cost.
A cyborg is programmed to kill a scientist who holds the fate of mankind in his hands. He fails and hides in a diner in a desert run by a woman who likes him. The people who sent him are after him and so is the local arm wrestling champ.
When John Eastland's best friend, Michael Jefferson, is mugged and left permanently crippled, he decides to do something about it. Jefferson had saved Eastland's life in Vietnam and now it's time for Eastland to get revenge for his friend. Using his old Army gear he sets out on a crusade to clean up the streets of New York using the name "The Exterminator."Written by
David Bongo <email@example.com>
A movie novelization by Peter McCurtin, who wrote two prose vigilante series titled respectively "The Marksman" and "The Assasin" in the 1970s, was published for this film. See more »
Michael is on a ventilator and has an oxygen mask on his face with large holes either side, which would mean little or no air would enter his lungs! See more »
[In order to make room for the dinner tonight I've got to get rid of the one I had last night]
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"The producer" is credited as burping ghoul See more »
The original UK cinema release was cut by 44 seconds with edits to the decapitation scene, the stabbing of Michael and a scene where a prostitute is tortured with a soldering iron. Video versions were cut by 3m 38 secs with further cuts to the cinema edits, and additional cuts to slow-motion footage of Vietnam killing scenes and the removal of an entire sequence where John makes mercury-filled dum-dum bullets. The Synergy DVD released in the UK in 2000 was treated much more leniently and was cut by only 22s, with the opening beheading and the prostitute's torture still edited. The film was finally passed completely uncut in the UK by the BBFC in 2004, since the offending scenes were no longer judged to be harmful by 2004 standards. See more »
In New York John Eastland an Vietnam Veteran turns vigilante when his best friend/Vietnam buddy is attacked by a group of thugs and left paralysed. Since his buddy saved his life in Vietnam, he thought he should do him a favour. So John becomes a one-man show and goes out and gives some of his own justice to these lowlifes. After taking care of that gang, he sets his sights higher, by trying to bring down the city's seedy and dark underground. He calls himself the Exterminator, but police see him as nothing than a psychopathic killer, but the CIA and Government officials see him more as a threat because they believe he could undermine an entire government administration. The media and public, see him as a (anti) hero and these corrupt officials don't want that.
This is one of the many vigilante/exploitation films that flooded the screens within 70's and 80's period thanks to "Death Wish", which were only meant to shock you with relentless violence and grit. Well, this supposedly DVD I watch claims to be the director's cut, but some sequences definitely feel like they were trimmed unless that was the director's choice, but I doubt it because they felt odd and was mostly around the violence.
Anyway what we got here is a remotely entertaining low-budget vigilante piece, but really it's nothing we haven't seen before. If your expecting a whole lotta' graphic violence, you might be disappointed as it was rather tame in spots where it could have been grisly to watch. But saying that it does have a couple of shocking moments, but really not enough to make it stand out from the rest of its field. It was rather comic book style violence, with it being more nasty than bloody. What makes it a little tiresome is that a lot of time it skews away from our vigilante doing his work, in favour for a budding romance between a cop and doctor, it just didn't add anything, well not for me. It could have scrap that idea and delve more into the Exterminator's psyche, or please more gripping action. Yes action, the film just lacked something big I was hoping for more. Especially when we are thrown right into the action when the film begins, but I was sorely disappointed and the exploitative nature was just uneven and what was the deal with the wrenching images. Sometimes the material tries too hard to be moving and have a softer side. It just didn't work for me. You just think, oh this going to be great, with some promising torture scenes and tussles, but honestly you feel short changed with the outcome of most, as there seems to be more of a focus on the aftermath. What didn't help was that some moments are actually unintentionally humorous. But on the other hand there are some nice ideas in the bunch, but it just could've been executed in a better fashion. The plot tries to cover some social discussions involving the Vietnam War, Cheap labour, street crime, media, child prostitution corrupt officials and plenty of wry humour mixed in. Although, there's nothing about these messages that are exceptional or haven't been handled better.
What blew me away was that director James Glickenhaus pulls you into the seedy and dirty streets of New York. He truly makes the raw environment an unpleasant experience to view, along with the scum who walk it. Camera work was potent with some well established shots, with plenty of close ups and fast moving shooting. Also the director loved his slow-mow! Soundtrack was very 70's. A sample of the decade indeed. But there are some odd song choices in certain parts of the film, but they were reasonably groovy and swinging in mood. Although, the editing was annoying at times, it was real choppy and because of that there's several incoherent sequences and stuff left up in the air. Just like the unthinkable ending (that took me by the blue), which is messily put together. Performances are fair, even if Robert Ginty is bland as the crusader and Christopher George makes the most of his character. Though, those people playing the CIA agents really hammed it up with inane dialogue and hilarious appearances.
Mediocre at best, with some heart pounding moments and clever touches, but I just thought it could've been far better. Maybe I was expecting too much? Nonetheless, it did its job by keeping me entertained for the odd 90 minutes or so. That's good enough for me.
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