The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Joseph "John" Merrick is an intelligent and friendly man, but he is hated by his Victorian-era English society because he is severely deformed. Once he is discovered by a doctor, however, he is saved from his life in a freak show and he is treated like the human being that he really is.Written by
Joseph "John" Merrick's condition was undiagnosed at the time of his death. Later studies of his skeleton, and the casts made of his body, led researchers to suggest he suffered from neurofibromatosis (NF) type I, a genetic condition, from which one in four thousand people suffer. The NF Foundation used this movie as a fund-raising tool, and credited it with making the disease more widely known. Later examination, including CT scans of the skeleton, lead researchers to believe he suffered from Proteus syndrome, a much rarer condition than NF. A scientist, in 2001, speculated that Merrick may have suffered from a combination of neurofibromatosis type I and Proteus syndrome. In 2003, researchers used surviving DNA samples from Merrick in an attempt to determine his unique condition. However, these tests were inconclusive, and the cause of Joseph "John" Merrick's medical condition remains unknown. See more »
When Frederick Treves is bringing up the oatmeal to John Merrick and Carr Gomm startles him, he puts the oatmeal behind his back as to hide it from him. In the next shot he has the oatmeal in front of him and puts it behind his back again while he is walking towards Carr Gomm. See more »
Get rid of them! I don't want to see them!
Darling, don't be difficult! Let's take our sweet lovely children on an outing.
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Closing disclaimer: This has been based upon the true life story of John Merrick, known as The Elephant Man, and not upon the Broadway play of the same title or any other fictional account. See more »
David Lynch's most accessible work. A truly remarkable film!
I first watched 'The Elephant Man' over twenty years ago, not long after it was released. It was the first David Lynch movie I ever saw, thought at the time I'd never even heard about 'Eraserhead' and knew nothing about the guy. I was incredibly impressed by the film, as I have been every time I watch it. Eventually I became a big Lynch fan, and could see the similarities between 'Eraserhead' and 'The Elephant Man', both visually and in their use of sound. Apart from that, they are very different movies. 'Eraserhead' still freaks most people out, but 'The Elephant Man' is arguably his most accessible film. It has heart and an emotional impact, something rare in Lynch's movies ('The Straight Story' is another exception). Anthony Hopkins is an actor I've frankly had it up to HERE with, especially after his increasingly hammy Dr. Hannibal Lecter, but boy, is he wonderful here! Probably his finest performance to date. Of course John Hurt is superb too, especially taking into consideration him having to work under pounds of make up. It's hard to fault anybody in the supporting cast, especially John Gielgud and Hannah Gordon, who plays Hopkins wife. Freddie Jones, who Lynch has worked with a few times since, is really evil as Bytes, and the late Michael Elphick ('The Element Of Crime', 'Withnail and I') plays another memorable baddie as the hospital's night porter. 'The Elephant Man' is a remarkable achievement. Lynch doesn't seem to have compromised his unique vision one bit and yet manages to make a genuinely moving drama about one of the screen's most unlikely heroes. I don't throw the term "masterpiece" around lightly but it's difficult not to use that word when describing this truly extraordinary film! Simply one of the best movies I've ever seen.
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