A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Director:
David Lynch
Stars:
Isabella Rossellini,
Kyle MacLachlan,
Dennis Hopper
After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life.
Director:
David Lynch
Stars:
Bill Pullman,
Patricia Arquette,
John Roselius
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A young FBI agent disappears while investigating a murder miles from Twin Peaks that may be related to the future murder of Laura Palmer; the last week of the life of Laura Palmer is chronicled.
The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporary composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
Director:
Milos Forman
Stars:
F. Murray Abraham,
Tom Hulce,
Elizabeth Berridge
John Merrick (whose real name was Joseph, as this is based on a true story) is an intelligent and friendly man, but he is hated by his Victorian-era English society because he is severely deformed. Once he is discovered by a doctor, however, he is saved from his life in a freak show and he is treated like the human being that he really is.Written by
Sam Cibula
When Carr Gomm first meets John Merrick, he walks close up to him. In the next shot he is way back from him, then close again. See more »
Quotes
[first lines]
Skeleton Man:
Get rid of them! I don't want to see them!
Fat Lady:
Darling, don't be difficult! Let's take our sweet lovely children on an outing.
See more »
Crazy Credits
Closing disclaimer: This has been based upon the true life story of John Merrick, known as The Elephant Man, and not upon the Broadway play of the same title or any other fictional account. See more »
I first saw The Elephant Man at its pre-release showing in 1980, and it struck an immediate and resonant chord with me. Few movies are like this, and it remains (many viewings later) one of my top 10 films of all time.
The plot is presented well in other reviews here, so I will not repeat it or comment further. Of the film itself I would only add that it is without doubt the most mature and satisfying of David Lynch's works - in many ways it is the final, polished jewel carved from the rough and ugly (but fascinating) diamond of Eraserhead, with the self-conscious artiness and juvenile qualities of the earlier film distilled into a potent and poignant statement on the human condition.
Some critics have dismissed The Elephant Man as an exercise in emotional manipulation, however I believe this completely misses the point. All films are manipulative to some degree, but it is a manipulation in which we as an audience engage by consent. The Elephant Man will stand the final test and it will be appreciated fully by future audiences, in much the same way as Citizen Kane had to wait for some decades until audiences were able to fully comprehend its greatness.
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I first saw The Elephant Man at its pre-release showing in 1980, and it struck an immediate and resonant chord with me. Few movies are like this, and it remains (many viewings later) one of my top 10 films of all time.
The plot is presented well in other reviews here, so I will not repeat it or comment further. Of the film itself I would only add that it is without doubt the most mature and satisfying of David Lynch's works - in many ways it is the final, polished jewel carved from the rough and ugly (but fascinating) diamond of Eraserhead, with the self-conscious artiness and juvenile qualities of the earlier film distilled into a potent and poignant statement on the human condition.
Some critics have dismissed The Elephant Man as an exercise in emotional manipulation, however I believe this completely misses the point. All films are manipulative to some degree, but it is a manipulation in which we as an audience engage by consent. The Elephant Man will stand the final test and it will be appreciated fully by future audiences, in much the same way as Citizen Kane had to wait for some decades until audiences were able to fully comprehend its greatness.