Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
A French little town, at the end of the twenties. Julien Davenne is a journalist whose wife Julie died a decade ago. He gathered in the green room all Julie's objects. When a fire destroys ... See full summary »
Paris, 1942. Lucas Steiner is a Jew and was compelled to leave the country. His wife Marion, an actress, directs the theater for him. She tries to keep the theater alive with a new play, and hires Bernard Granger for the leading role. But Lucas is actually hiding in the basement... A film about art and life.Written by
In his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows". He is partly based on the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout". The scene where Bernard (Gérard Depardieu) gives him a beating is inspired by an incident when Jean Marais punched Laubreaux. See more »
In one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar. See more »
I want to get something straight. I was thrilled to play here, in a real theater, in a real play, but if I must take my pants off to prove I'm not a Jew, thanks, but no thanks. Besides, I refuse to take the part of another actor.
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An almost banal story about normal people which by its naturalness attains a truly remarkable human greatness. Against the background of nazi occupation of Paris with its whole train of treasons, pusillanimities, courage, resistance, collusions and collaboration with the enemy, indignities and oppression, a theatrical company staged underground by its director who is secretly hidden because he's Jewish, puts on the stage a play about love also repressed, a play however which resounds as a freedom although smothered shout in the darkness enveloping France and Europe by then. The acting performance of Depardieu and Deneuve is brilliant as usual although very simple and natural. Besides that, Deneuve is indeed one of the most beautiful movie stars we have ever seen. This movie is also a hymn to the theatre as free expression since ancient Greece, living through the love of those who devote themselves to it, very often with abnegation and in adverse conditions. It must by all means be seen because, in spite of all, it makes us believe in human virtues which keep pace here with the theatrical actors' talent.
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