Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Paris, 1942. Lucas Steiner is a Jew and was compelled to leave the country. His wife Marion, an actress, directs the theater for him. She tries to keep the theater alive with a new play, and hires Bernard Granger for the leading role. But Lucas is actually hiding in the basement... A film about art and life.Written by
In his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows". He is partly based on the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout". The scene where Bernard (Gérard Depardieu) gives him a beating is inspired by an incident when Jean Marais punched Laubreaux. See more »
In one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar. See more »
This may sound strange coming from me, but I think your husband, Lucas Steiner, was wrong to leave France. The new anti-Israelite theater laws apply to spectators and profiteers. But your husband, Mme. Steiner, was a gem. He was the only Israelite theater director...
You may say 'Jewish'.
Yes. He was the only one to be a leader, stage director and an artist. You see, the Germans are deeply attached to culture. They don't want talented artists to leave France.
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Truffaut does a better job of drawing the torn loyalties of a woman in love than any other film-maker I know, including women. Both "Jules et Jim" feature love triangles between a woman and two men. While Catherine in the more famous earlier work is a wildly bewitching girl, Deneuve's Marion is a beautifully mature stoic, even when her Jewish husband Lucas, hiding out in the cellar, vents his understandable spleen about his isolation on her, driving her into the arms of Bernard, her young leading actor. I cannot understand what another commentator said about the movie not letting the viewer in. It does - and how much more than anything from Hollywood! It's just that it's a film made for audiences with a modicum of experience in life and love. But for those, it's got it all. A plot that literally kept me on the edge of my seat for the last half-hour; splendid performances not only from Deneuve and young Depardieu but also from the craggily handsome German actor Heinz Bennent as Lucas, and the supporting cast; laugh-out-loud funny moments, gooily romantic moments, spine-chilling moments of fright. A declaration of love to women and the theatre. I give it a ten.
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