Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
A French little town, at the end of the twenties. Julien Davenne is a journalist whose wife Julie died a decade ago. He gathered in the green room all Julie's objects. When a fire destroys ... See full summary »
The lives of a motherless boy, who is just starting to get interested in women, and his physically abused friend, who lives in poverty, are mixed with more or less innocent childhood experiences and challenges of a number of children.
Charlie is approached by his crook brother Chico, who is chased by two gangsters. Charlie helps him to escape, but he upsets the criminals, so when his brother Fido is kidnapped, Charlie has to take an attitude with tragic consequences.
Paris, 1942. Lucas Steiner is a Jew and was compelled to leave the country. His wife Marion, an actress, directs the theater for him. She tries to keep the theater alive with a new play, and hires Bernard Granger for the leading role. But Lucas is actually hiding in the basement... A film about art and life.Written by
Sacha Guitry (1885 - 1957) was a noted French film actor, director, screenwriter and playwright. See more »
When Granger talks about his bike being stolen, he mentions the license plate number: 813 HK 45 (in the original version to the least). This number belongs to a system that was introduced in France in 1950 only, which did not even concern bicycles. See more »
I've been here before in the audience. I saw Madame Steiner in "The Cherry Orchard" by Chekhov.
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Truffaut does a better job of drawing the torn loyalties of a woman in love than any other film-maker I know, including women. Both "Jules et Jim" feature love triangles between a woman and two men. While Catherine in the more famous earlier work is a wildly bewitching girl, Deneuve's Marion is a beautifully mature stoic, even when her Jewish husband Lucas, hiding out in the cellar, vents his understandable spleen about his isolation on her, driving her into the arms of Bernard, her young leading actor. I cannot understand what another commentator said about the movie not letting the viewer in. It does - and how much more than anything from Hollywood! It's just that it's a film made for audiences with a modicum of experience in life and love. But for those, it's got it all. A plot that literally kept me on the edge of my seat for the last half-hour; splendid performances not only from Deneuve and young Depardieu but also from the craggily handsome German actor Heinz Bennent as Lucas, and the supporting cast; laugh-out-loud funny moments, gooily romantic moments, spine-chilling moments of fright. A declaration of love to women and the theatre. I give it a ten.
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