An old man is recollecting all the women he met in his youth. An old woman wants them to commit suicide together but changes her mind. The little town has a doctor whose wife can not forget... See full summary »
From times immemorial, man has enjoyed the horse in all manners, as art object, speed racer, cart-puller, and circus acts. Cars are taking the horses' place in transportation, and these are... See full summary »
The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.
Johanna ter Steege,
Mariska and Liliomfi fall in love without suspecting that Mariska's foster father is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting.
The film is set in a terrorizing world of the future, where technology commands the movements of individuals, supervised by the doctors, carrying out a program to improve the human race. ... See full summary »
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
I walked into this movie as part of a Hungarian film series years ago and the only thing I knew about it was that the title must be a proper name since the rest of the titles were given in English. It unfolded as a singularly impressive presentation, immensely compelling even if not entirely comprehensible. Produced in the same year as its American cousin "All That Jazz" it presents two stories dealing with both artistic and personal issues of artists. As I eventually found out, Csontvary Kostka Tivadar was a Hungarian painter, and the actor Latinovitsj Zoltan, who was originally slated to play him in the film, committed suicide during the preliminary planning. The movie incorporates both the stories of both by way of a dazzling series of dazzling images incorporating Grecian, Roman, Jewish, Christian, and possibly more traditions of splendor along the way. It features one of the most pungent alienation sequences I've ever seen on film, and also lends an awesome splendor to the artistic calling which is reassuring in a world where this is often swamped and demeaned by commercialism. A great film, highly recommended.
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