Cruising

What strikes me while watching the film, is that truth to reality is really refreshing. No editing in the world can make up to a camera catching a dark, rainy street as they could back in those days when equipment was not developed. Aristoleles claimed that cruelty should be committed outside the scene, that is, in the background. The imagination of the spectator is far more imaginative than a view of the actual event. Therefore, leaving out is stronger in terms of storytelling than showing. Quite the contrary to contemporary movies, I'd say. The advantage of this story is thus the suspense built up on lack of knowledge. There is no flirting with the audience; you do not know in advance who dunnit. There is no flirting with the audience on the task of staging one of the protagonists as a gay either. This is not the greatest movie, but really worth seeing.

In New York, the ambitious police officer Steve Burns (Al Pacino) is assigned by his Captain Edelson (Paul Sorvino) to work uncover in the gay S&M underworld to seek out the serial-killer that is killing and severing the members of gays since he has the same appearance of the victims. Steve has the objective to be promoted to detective and get his golden shield and Capt. Edelson is the only one in the department who knows Steve's assignment.

Steve does not tell to his girlfriend Nancy (Karen Allen) his mission and he needs to learn the behavior of this community. During the investigation, Steve is affected by the discoveries in this new world, but Captain Edelson does not want him to quit his assignment.

In the 70's and 80's, Al Pacino was among my favorite American actors with his magnificent performances. "Cruising" is an original movie that discloses part of the society unknown to straight persons like me: the gay S&M world of New York in the late 70's.

I have seen this film at least four time and today for the first time on DVD, and my greatest question is how far a person would go to be promoted. Steve Burns dreams on having a golden shield and when he has his chance, he accepts a dangerous psychological mission to find the serial-killer that is killing gays and affects his personal life and his relationship with his girlfriend. The conclusion is one of the most ambiguous that I have ever seen in an American movie, when Steve looks at his image on the mirror. My vote is eight.

Title (Brazil): "Parceiros da Noite" ("Night Partners")

Knowing that this was inspired by true events and what really happened, I understand why the film may seem as one giant plot hole to some viewers. I know most people want a definitive answer and this movie doesn't exactly make it clear for the viewer. Done intentionally by Friedkin to reflect the true story's mystery, which I think is brilliant. That said, I wish the cast was hotter and I still can't believe Al Pacino did this film. I love it. It's such an amazing documented piece of Homosexual life before AIDS hit. Something we will never see or experience ever again.

I do well remember all the outrage when word about Cruising being filmed on location in the streets of New York with all kinds of protesters from the GLBT community picketing the set. Word had gotten out that the film was going to be about the Leather/S&M scene and everyone that I knew was upset.

Viewed 26 years later Cruising is mild stuff compared to some of what is shown on television today. There isn't a prime time TV series that today doesn't have some gay themed episode on it during its season. Some are sensitive and some are far more crassly exploitive than Cruising could ever aspire to be.

The fuss back then was that in many places including the location of the film, New York City, gay civil rights was not on the statute books. A whole lot of people were trying to make that happen and a film like Cruising was feared in that it would give homophobes a lot of ammunition against the proposed civil rights law.

People needn't have worried. The cause and the community proved a lot stronger than the impact of one film at the box office.

Without all the politics involved, Cruising is a murder mystery. There's a troubled young man with a whole lot of issues murdering and dismembering men he picks up in various locales in New York. Chief of Detectives Paul Sorvino picks officer Al Pacino because in looks and build he fits the physical profile of the victims. Cruising is the story of Pacino's undercover investigation looking for that killer. It also is a story of Pacino reexamining a whole lot of preconceived notions about human sexuality in general.

As it turns out I happen to know one of the cast members of the film who had a small three line speaking role in the film and with Al Pacino himself. He related to me that when the casting call came out, he came in the required leather uniform and had three levels of audition. First with the casting director, then with Bill Friedkin and finally with Al Pacino himself.

What he also mentioned was that Pacino was a nice down to earth sort of fellow when he met him and easy to work with. And the reason he was easy to work with was that he was a man totally focused on the job at hand when on the set.

He also related to me that apparently Bill Friedkin had decided in advance to do some kind of a gay related story. The final script for Cruising beat out others including one that would have had a prostitution angle in it. Probably a worse image for a film than what Cruising was about. This writer whose script was rejected was a political activist as well and he was the one who got the ball rolling with all the protests.

My friend mentioned that among his own group of friends he lost only one permanently over his decision to work in the film. Everyone else in his circle saw the film and their reactions were a gamut of applause for the film to a total trashing. But only one individual broke with him over it.

Art sometimes predicts life. There is a shot during Al Pacino's travels through the bars and clubs of the West Village of 1980 of the Ramrod bar. After Cruising had come and gone from theaters, a man named Ronald Crumpley one November night in 1980 drove by with an Uzi and wounded six and killed two people. Things like that are still happening, even in some of the gay friendliest areas in the USA.

Besides Pacino and Sorvino, the performances to look for are those of Don Scardino as the young writer who lives next door to the apartment Pacino is located in during his undercover assignment and James Remar as Scardino's roommate who is a dancer. They have a volatile relationship and Scardino would be considered a battered spouse had they been able to marry. A story all to true, but hardly limited to same sex relationships.

Cruising will never rank in the top 10 of Al Pacino's films on anybody's list. But sufficient time has passed so that we can look at it with a bit more objectivity than was possible in 1980.

Viewed today, "Cruising" still elicits intense responses from both Gay and straight viewers alike. Mainstream Gays lament, as many protestors of the film at the time of its release, that it shows a homophobic image of Gay life, depecting them as sex-obsessed. Straights are put off by the frank look at the Gay sex "cruising" culture.

Interesting, however, some of the people involved in the Leather/SM subculture at the time this film was made have praised it for its accuracy of this particular lifestyle -- a pre-AIDS lifestyle concentrated on quick sex that was (and still is) pursued by a segment of the Gay community.

The film does not pretend to depict Gays as a whole. It is just a drama about a police investigation that uses the scene as a background and catalyst for an exploration into how one cop is affected by his work.

Not the greatest film ever made, but certainly a good springboard for discussion about the Gay community's politics, when one fully examines the controversy surrounding the film and the continued debate over public sex and body image in the community.

The strengths of "Cruising" are its use of locales and documentary-style cinematography, as well as the interesting performance from Paccino. In the end, it is hampered as a drama by problems with the narrative structure of the piece that seems to fizzle out in the last act, leading to an intriguing, but inconclusive, finish.