A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The film only opens with the title in large letters, across the screen. It is only at the end where the filmmakers are credited. See more »
The CBS/FOX video release (now out of print) was the most complete version available. It has about 45 seconds of footage of SM bondage and sex (during the Police Night scene) that has been deleted from the Warner Video release, and two lines of dialogue near the end of the film when detectives are searching the killer's dorm room and mention the killers father has been dead for ten years See more »
I had the pleasure of seeing this movie recently and I highly recommend it to any people who savor the darker things in life. If I had never seen this movie the reviews left about it everywhere on the net would surely have made me miss it at every opportunity but luckily I only came across them looking for more information after its viewing.
The first thing that really got me was the fantastic soundtrack. This is American punk rock at it's best and most glorious and I cannot think of a more apt context for it than the New York gay S&M scene. This my friends ... is punk-o-rama.
This is not a gay film ... nor is it a porno film ... this is an in your face horror much like William Friedkin's other classic "The Exorcist" ... but not a hammer horror nor a gore filled voyage through some fiery "kissing the devil's ass" hell but a very real slice of a very real life that exists in every major city in the world as well as some smaller ones. This is a film about a world so few know anything about that it is far above common criticism ... yet at the same time the directions and nuances are all too common. I would say that any fans of the movies of David Lynch might enjoy the somewhat lost disenchantment of this flick as it slides further and further into the darkest realms of the grotesque. As well anyone who's enjoyed the backwards pleasures of watching the cult classic "Je'Taime ... Moi Ne Plus" starring Jane Birkin would also find a little gem here.
"Cruisin'" is pure subversive genius.
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