In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. A lovable bumbling journalist chronicles the voyage and meets the singer's many eccentric friends and admirers.
Marcello is in the compartment of an Italian train, facing forward when the mineral water of the woman seated across from him starts to fall toward him. He catches the bottle and makes eye contact and follows her when she leaves the compartment. For a few moments she finds him attractive too. Then suddenly she gets off the train and starts walking through a field. Marcello follows her, loses her, finds himself in a large hotel surrounded by women. A feminist conference is taking place and he tries to escape.Written by
Dale O'Connor <firstname.lastname@example.org>
Of all the Fellini films, this is probably his most erotic
It is not as much a study of eroticism as it is one man's erotic fantasy about the battle between the sexes
A rich, horny Italian (Mastroianni) meets a woman on a train When the train stops, he follows her into a lonely wood, which becomes a futuristic world of forceful women who have almost entirely destroyed completely all men in their society
Mastroianni's character is left alive as a curiosity piece His experiences carry him deeper and deeper into this bizarre fantasy city The film never fully provides passion and erotic lusts, but is tickling and stimulating pleasantly none the less... Fellini's pointthat women resent the fact that men are easily excitedis most effectively carried by Donatella Damiani, a buxom and very beautiful young actress who runs nearly naked throughout the movie
Although the film never tires, it never quite completes its erotic expectations either, giving priority to consider carefully its own bizarre reality It has elements of science fiction and adventure, but is more exactly a fantasy on the estrangement between men and women...
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