A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
Grief-struck after the death of his wife, a young man attempts to keep her with him forever - by gutting her, stuffing her and replacing her eyes with glass eyes, turning her into a doll. But his bouts of insanity are just beginning.
A middle-aged woman, traumatized from the death of her adulterous lover, moves into a room at a New Orleans boarding house where the blind landlord becomes suspicious to her activities of continuing her affair with her dead lover.
Alex, a psychopathic mechanic, rapes a woman in the park. Later, a decadent couple pull into his shop needing car repair. They invite Alex and his mentally challenged buddy to join them at a decadent suburban party. Once there, Alex amuses himself by tormenting and raping the guests...Written by
Ed Sutton <firstname.lastname@example.org>
The original US version of the film had Italian credits. Credits were translated for the UK and US DVD versions. See more »
The film was refused a UK cinema certificate by the BBFC in 1981 and later found itself listed as an official video nasty. It was finally passed for video release in 2002 after a staggering 11 minutes 43 secs of cuts which mostly removed the rape and assault scenes and heavily edited the razor-slashing of Cindy, the opening murder scene, and shots of Tony's head being slammed against a table. See more »
"Be careful, Ricky...they're taking you for a ride."
And what a ride it is. "The House on the Edge of the Park" is yet another variation (I'll avoid the term 'rip-off') of "Last House on the Left," which succeeds because of David Hess's outstanding portrayal of a razor-wielding psycho. Unlike "Last House," which made generational conflict its primary theme, HotEotP is an unashamed exploitation picture that director Ruggero Deodato uses to embellish the excesses of the genre, and there's no better an actor than Hess to carry out such activities.
Hess plays Alex, a NY mechanic who, before the opening credits begin to roll, rapes and strangles an anonymous female (although it's not made clear whether the girl is actually dead). Cut to him and his friend Ricky (Giovanni Lombardo Radice), who have plans to go "boogie-ing" when they're accosted by a rich young couple with car trouble. Ricky fixes the problem (a torn alternator wire), and Alex persuades the couple to invite them to a little 'get-together' at an appropriately-secluded villa. Before long, Alex and Ricky are engaging in some rather heavy petting, and things turn violent.
That's the basic plot setup. At times, the movie moves from scene to scene as if being improvised on the spot, which either intesifies the action or slows it down. That the house (as a setting) is rather small limits the amount of action that can go on inside it. Yet Ruggero Deodato knows how to manipulate his audience--his use of violence and sex to advance the film along works in all the right ways, and keeps your attention. And the sex, violence, and depraved behavior here is pretty extreme, to say the least (the film boasts only one murder, but is far more vicious than LHotL, in my opinion).
Also elevating the film a few levels is a surprisingly name cast of genre actors, including Christian Borromeo ("Tenebrae"), Radice ("The Gates of Hell"), and Lorraine De Selle ("Cannibal Ferox"). These familiar actors add a unique gloss to the sleaziness of "House on the Edge of the Park."
25 of 33 people found this review helpful.
Was this review helpful to you?
| Report this