A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
The neurotic and newlywed Barbara (Robin Strasser) finds her husband (Arthur Roberts) in bed with his old flame Eva (Iva Jean Saraceni). Robin doesn't get mad-she gets even. Using funds ... See full summary »
Grief-struck after the death of his wife, a young man attempts to keep her with him forever - by gutting her, stuffing her and replacing her eyes with glass eyes, turning her into a doll. But his bouts of insanity are just beginning.
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
Alex, a psychopathic mechanic, rapes a woman in the park. Later, a decadent couple pull into his shop needing car repair. They invite Alex and his mentally challenged buddy to join them at a decadent suburban party. Once there, Alex amuses himself by tormenting and raping the guests...Written by
Ed Sutton <email@example.com>
The original US version of the film had Italian credits. Credits were translated for the UK and US DVD versions. See more »
The film was refused a UK cinema certificate by the BBFC in 1981 and later found itself listed as an official video nasty. It was finally passed for video release in 2002 after a staggering 11 minutes 43 secs of cuts which mostly removed the rape and assault scenes and heavily edited the razor-slashing of Cindy, the opening murder scene, and shots of Tony's head being slammed against a table. See more »
This is interesting sleaze in a lot of ways, mainly because it's one of those movies that looks like nothing more than cheap, hateful sex trash when there are underlying ideas (even though I will not dare call this an intellectual film by any means). One thing I would like to say is that it is true that some of the things going on here can be viewed as romantic if you view it in a very unconventional way. One of the "rape" scenes definitely seems more like a rough, consensual sex game rather than a brutal, totally forced rape. At the same time, a lot of this can really be viewed more as about a guy (David A. Hess as Alex) who has had some serious female trouble at one point and is so terrified of a woman he loves leaving him that he responds animalistically with hateful, misogynistic acts of rape and abuse so that he can get close to all the women he likes in the only way he knows could work for him, no matter how cruel and damaging it is to anyone else. His companion Ricky is obviously someone who is mentally slow and hated by society, finding friendship only in scum like Alex, who he looks up to like a big brother/mentor type. He is shown to not know any better for the most part, but we know there is good in him when he not only can't bring himself to violate a woman, but he is also the one who tries to stop the terror from continuing. This leads to a twist ending that I thought was actually surprisingly clever for this type of film. This one's not quite as good as "The Last House on the Left" if you're going to compare movies with mean David A. Hess characters, but, despite similarities, this film stands up fairly well on its own, in my opinion.
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