After the release of Jake Blues from prison, he and brother Elwood go to visit "The Penguin", the last of the nuns who raised them in a boarding school. They learn the Archdiocese will stop supporting the school and will sell the place to the Education Authority. The only way to keep the place open is if the $5000 tax on the property is paid within 11 days. The Blues Brothers want to help, and decide to put their blues band back together and raise the money by staging a big gig. As they set off on their "mission from God" they seem to make more enemies along the way. Will they manage to come up with the money in time?Written by
Sami Al-Taher <firstname.lastname@example.org>
When John Belushi wasn't on-set, he went everywhere in Chicago. When he did, everybody was slipping him vials and packets of coke. That was in addition to what he could procure, or have procured, for himself, often consumed in his trailer, or at the private bar on-set he had built for himself, his longtime friends, the cast, and any visiting celebrities. Carrie Fisher, who John Landis had warned to keep Belushi away from drugs if she could, said almost everyone who had a job there also dealt, and the patrons could (and did) score almost anything there. See more »
During the second big chase, a number of state troopers go off the right side of the road and crash. Car 55 re-enters the road from the right side, but when it crashes into the big truck, it is coming from the left side. See more »
Prison Guard #1:
Yeah, the Assistant Warden wants this one out of the block early. Wants to get it over with fast.
Prison Guard #2:
Okay, let's do it.
[rattling the bars with his baton]
Prison Guard #1:
Hey come on, it's time to wake up.
Prison Guard #2:
Wake up. Let's go, it's time.
[striking the sleeping Jake with his baton]
See more »
As the film ends with the Blues Brothers and band playing "Jailhouse Rock", there are several cuts starting with the second verse that feature the castmembers who are professional singers singing lines of the song with their names on the screen. See more »
Similar to Animal House and American Werewolf in London, the 5.1 remix on the Blu-ray release replaces many of the old sound effects like car crash sounds, gunshots, and explosions. See more »
Someone found the fountain of youth and doused this baby in it, 'cause it sure ain't getting old
I couldn't tell you how many times I've watched this. I can say truthfully that me and my father have sat down and seen it together for over ten years. And I can assure you, it never seems less enjoyable. Every scene(honestly, find me a single one that should be taken out, and I will be utterly baffled) is great, and holds something to look forward to, most even something to reference and quote. The acting of the band members, and possibly some of the musicians(though, for my money, they do pretty darn good jobs), aren't necessarily the best actors, but it's seldom that obvious or annoying, and, come on, what kind of performance are you looking for in them in this, a role to take on, or some fantastic music? This is a movie that should be viewed by anyone who loves one or more of the following: Blues, car chases(this held the record in the number of vehicles crashed in a film, until, I believe, it's less impressive sequel), Aykroyd, Belushi, Landis and their work and comedy, all three shine. Heck, no matter what, this is likely to entertain you, thoroughly, continually and masterfully. The pacing is amazing, off the charts action and speed, yet it never, for a second, overwhelms or leaves you exhausted from it, and this has the rather important "buffer" portions, where you can relax. The script and plot are excellent. The songs are well-chosen, well-done and set up well. Brown, Charles and Franklin are incredible in this, with very different pieces. The cinematography and editing are spot-on. There is a little language, and it does get harsh. There is no real eye candy, this doesn't stoop to that for more than possibly a few seconds. The Collectors' Edition DVD holds 18 minutes of new footage, of varying quality, but I'd say it's worth attention of those who already dig the film. It also has a theatrical trailer, cast and crew listings, production notes and a making of. I recommend this to anyone, especially those who are either already familiar with(and into) the kind of tunes it's packed with, or those not, who are open to them. 10/10
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