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The Blues Brothers (1980)

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Jake Blues, just out from prison, puts together his old band to save the Catholic home where he and brother Elwood were raised.

Director:

John Landis
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1,011 ( 471)
1 win. See more awards »

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Cast

Cast overview, first billed only:
John Belushi ... 'Joliet' Jake Blues (as Jake)
Dan Aykroyd ... Elwood Blues (as Elwood)
James Brown ... Reverend Cleophus James
Cab Calloway ... Curtis
Ray Charles ... Ray
Aretha Franklin ... Mrs. Murphy
Steve Cropper ... Steve 'The Colonel' Cropper
Donald Dunn ... Donald 'Duck' Dunn (as Donald 'Duck' Dunn)
Murphy Dunne Murphy Dunne ... Murphy 'Murph' Dunne
Willie Hall Willie Hall ... Willie 'Too Big' Hall
Tom Malone Tom Malone ... Tom 'Bones' Malone
Lou Marini Lou Marini ... 'Blue Lou' Marini
Matt Murphy ... Matt 'Guitar' Murphy
Alan Rubin Alan Rubin ... Alan 'Mr. Fabulous' Rubin
Carrie Fisher ... Mystery Woman
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Storyline

After the release of Jake Blues from prison, he and brother Elwood go to visit "The Penguin", the last of the nuns who raised them in a boarding school. They learn the Archdiocese will stop supporting the school and will sell the place to the Education Authority. The only way to keep the place open is if the $5000 tax on the property is paid within 11 days. The Blues Brothers want to help, and decide to put their blues band back together and raise the money by staging a big gig. As they set off on their "mission from God" they seem to make more enemies along the way. Will they manage to come up with the money in time? Written by Sami Al-Taher <staher2000@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

The show that really hits the road. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

20 June 1980 (USA) See more »

Also Known As:

The Return of the Blues Brothers See more »

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Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend USA:

$4,858,152, 22 June 1980, Limited Release

Gross USA:

$57,229,890

Cumulative Worldwide Gross:

$115,229,890, 31 December 1983
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (extended)

Sound Mix:

4-Track Stereo (magnetic prints)| Mono (optical prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The exteriors and many interiors at Daley Center were shot on-location, including the shot of the Bluesmobile plowing through the courthouse lobby. In a 1998 interview for Universal, John Landis credited mob help, for getting permission from the Cook County Board of Commissioners for this (alluding to the Board being mob-controlled at that time). See more »

Goofs

During the state trooper crash, Car 73 appears to crash down the embankment twice. See more »

Quotes

[first lines]
Prison Guard #1: Yeah, the Assistant Warden wants this one out of the block early. Wants to get it over with fast.
Prison Guard #2: Okay, let's do it.
[rattling the bars with his baton]
Prison Guard #1: Hey come on, it's time to wake up.
Prison Guard #2: Wake up. Let's go, it's time.
[striking the sleeping Jake with his baton]
See more »

Crazy Credits

Many of the film's crew members are shown singing "Jailhouse Rock" (as the credit "Crew" appears on-screen) during the final number. See more »

Alternate Versions

Some network TV prints omit the Universal globe logo at the end, and replace the Universal Studios logos with the "Ask Babs" byline at the end of the closing credits with scenes from their "Everybody Needs Somebody to Love" number followed by the Universal Studios Globe Logo. See more »

Connections

Referenced in Motormouth: Episode #4.13 (1991) See more »

Soundtracks

Ride of the Valkyries
Written by Richard Wagner
Performed by the Pittsburgh Symphony Orchestra
Courtesy of Westminster Gold
See more »

Frequently Asked Questions

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User Reviews

 
Someone found the fountain of youth and doused this baby in it, 'cause it sure ain't getting old
24 October 2008 | by TBJCSKCNRRQTreviewsSee all my reviews

I couldn't tell you how many times I've watched this. I can say truthfully that me and my father have sat down and seen it together for over ten years. And I can assure you, it never seems less enjoyable. Every scene(honestly, find me a single one that should be taken out, and I will be utterly baffled) is great, and holds something to look forward to, most even something to reference and quote. The acting of the band members, and possibly some of the musicians(though, for my money, they do pretty darn good jobs), aren't necessarily the best actors, but it's seldom that obvious or annoying, and, come on, what kind of performance are you looking for in them in this, a role to take on, or some fantastic music? This is a movie that should be viewed by anyone who loves one or more of the following: Blues, car chases(this held the record in the number of vehicles crashed in a film, until, I believe, it's less impressive sequel), Aykroyd, Belushi, Landis and their work and comedy, all three shine. Heck, no matter what, this is likely to entertain you, thoroughly, continually and masterfully. The pacing is amazing, off the charts action and speed, yet it never, for a second, overwhelms or leaves you exhausted from it, and this has the rather important "buffer" portions, where you can relax. The script and plot are excellent. The songs are well-chosen, well-done and set up well. Brown, Charles and Franklin are incredible in this, with very different pieces. The cinematography and editing are spot-on. There is a little language, and it does get harsh. There is no real eye candy, this doesn't stoop to that for more than possibly a few seconds. The Collectors' Edition DVD holds 18 minutes of new footage, of varying quality, but I'd say it's worth attention of those who already dig the film. It also has a theatrical trailer, cast and crew listings, production notes and a making of. I recommend this to anyone, especially those who are either already familiar with(and into) the kind of tunes it's packed with, or those not, who are open to them. 10/10


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