Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ... See full summary »
A young American serviceman, stationed in Germany after the fall of the Third Reich, jeopardises his position with the Marshall Plan relief effort by breaking the non-fraternisatiom rule ... See full summary »
The 'reconstruction' the title refers to is the re-working, re-editing, restructuring of Sam Fuller's The Big Red One brining it closer to the film Fuller had originally envisioned It ... See full summary »
The story of a hardened army Sergeant and four of his men from their first fight at the Kasserine Pass after the invasion of North Africa through to the invasion of Sicily, D-Day, the Ardennes forest and the liberation of a concentration camp at the end of the war. As the five of them fight - and survive to fight yet again in the next battle - new recruits joining the squad are swatted down by the enemy on a regular basis. The four privates are naturally reluctant to get to know any of the new recruits joining the squad, who become just a series of nameless faces.Written by
Until this film, Samuel Fuller hadn't directed a picture in 11 years, his last credited film--he directed part of The Deadly Trackers (1973) before being fired, and was not credited for it--was Shark! (1969)_. See more »
When Sarge is looking for the SP gun, his face is drenched with sweat, but dry when approaching the gun. See more »
I'll be a son-of-a-bitch. My mother sold my novel to Hollywood for Humphrey Bogart and Edward G. Robinson.
[doing a Robinson imitation]
Hey, how much?
For fifteen thousand bucks!
See more »
Some movies are like buried treasure; someone manages to slip them into the theater, practically under every critic's nose, where they either thrive or famish and then vanish into the nearest video catalog. "The Big Red One" is one of those films. For all the hoopla created by "Saving Private Ryan" (another excellent film, which, in my opinion, had a better understanding of it's subject than a lot of it's critics gave it credit for), it owed a great deal to what Sam Fuller did a decade and a half before.
Lee Marvin, an actual WWII veteran himself, holds the film together as the tough but exhausted seargent. When he tells Mark Hamill (yes, Luke Skywalker, folks) that you don't murder animals, you kill them, the look on his face after that seems to say that he wished it could be some other way. It's hard to grab defining moments in this film as stand-out, but the two sequences that stick the most to my mind are the taking of the insane asylum and the horrors of the concentration camp. While other movies have focused on specific campaigns, "The Big Red One" deserves high marks for painting the broad canvass of the Second World War from the perspective of the guys who actually had to do the work.
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