6.3/10
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The Lady Banker (1980)

La banquière (original title)
Emma Eckhert, from a modest background, became a big sensation between 1914 and 1938 as a banker and the head of a financial paper specialized in public savings.

Director:

Francis Girod

Writers:

Georges Conchon, Francis Girod (screenplay)
Reviews
4 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Romy Schneider ... Emma Eckhert
Marie-France Pisier ... Colette Lecoudray
Claude Brasseur ... Largué
Jean-Claude Brialy ... Paul Cisterne
Jean Carmet ... Duvernet
Jean-Louis Trintignant ... Horace Vannister
Jacques Fabbri ... Moïse Nathanson
Daniel Mesguich ... Rémy Lecoudray
Noëlle Chatelet Noëlle Chatelet ... Camille Sowcroft
Daniel Auteuil ... Duclaux
Thierry Lhermitte ... Devoluy
Alan Adair Alan Adair ... Sir Charles
François-Régis Bastide François-Régis Bastide ... Le ministre de la Justice
Arnaud Boisseau Arnaud Boisseau ... Armand
Yves Brainville Yves Brainville ... Prefaille
Edit

Storyline

Emma Eckhert, from a modest background, became a big sensation between 1914 and 1938 as a banker and the head of a financial paper specialized in public savings.

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

See all certifications »
Edit

Details

Country:

France

Language:

French

Release Date:

27 August 1980 (France) See more »

Also Known As:

A Banqueira See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in 8 Women (2002) See more »

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User Reviews

 
Ponzi scheme from Thirties
21 October 2009 | by bob998See all my reviews

Francis Girod made a name for himself making really black portraits of life in France in the Nineteenth century and the Thirties of the Twentieth. No subject was too grim for this cheerful director--remember the trio of killers dissolving their victim in an acid bath (Le trio infernal, 1974). The story of Marthe Hanau, another forgotten name from the Thirties, must have appealed to Girod and Romy Schneider. Resnais had made his Stavisky with the same material and had had some success.

This story moves at the speed of a retreating glacier. Many scenes go flat for lack of interest. It takes a Renoir to draw a portrait of a society in crisis, and Girod is no Renoir. I am a fan of Jean-Louis Trintignant, Jean-Claude Brialy, Marie-France Pisier and the other stars in the cast, but they are used only for window-dressing. Happily there is Romy Schneider, the most beautiful woman in the business in those days, and she does not disappoint. Her costumes are gorgeous, her hair never looked better, and she can swoop into a room better than any other actress. The way she spits out her defiance of the corrupt, conservative officials who oppose her kept me interested in the film.


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