It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself See more »
The film's box office failure and Ken Russell's onset behaviour, including a row with Paddy Chayefsky led to the director becoming a virtual pariah in Hollywood. See more »
When Eddie is in the isolation tank and Arthur monitors him, a printer periodically produces Eddie's EEG in a paper strip that grows every second, with a characteristic noise repeating. When the shot changes, the noise is still heard; thus, when the printer is seen again, the strip should have grown a lot. However, the strip is approximately the same length. See more »
He doesn't love me. He never loved me. I was never real to him. Nothing in the human experience is real to him.
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ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
Altered States is frightening, disturbing, bizarre stuff. It also has a strong heart, and the dialogue is witty and sharp.
This film creates its very real sense of horror from foreboding, often disarming musical cues, and a sense that we're on the journey with Jessup, and we don't know what's real or imagined. It rarely relies on gore, or overt "horror" sequences to affect the viewer, but still manages to be truly frightening and horrifying. Russell tones down his usual excesses, but his stamp is nevertheless all over the disturbing hallucination sequences.
It's easy to spot the strong influence this film must have had on Videodrome. It creates a similar mood.
Thoroughly recommended to anyone with a taste for intelligent horror.
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