In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself See more »
In a 2010 interview with The Arts Desk, William Hurt reports reading the script for the first time while in a Cuban coffee shop. By his own admission, after reading, he "couldn't stop weeping for about half an hour" and he "couldn't stand up for 45 minutes", because the script "was every idea that I had been thinking about. Everything was in this thing." He didn't want to star in the movie himself but really wanted to convince Chayefsky to make it anyway, because "the ideas had to get out". So he "took the script away for two weeks, memorized every word, worked on the entire structure of the entire thing, every scene" and went in after two weeks. Hurt says that "Fifty-nine minutes and 30 seconds later" he stood up and went like, "That's why I think you have to make it. And I'm going." But at that point, Arthur (Penn), Paddy Chayefsky and Howard Godfrey went in a corner and started talking; after they were done, they told him they would have made the movie only if he was in it. See more »
During the hallucination sequence in the cave, the pyrotechnic charges underneath the mushroom-shaped rock are visible as it elevates, as is the wire lifting it up. See more »
Emily's quite content to go on with this life. She insists she's in love with me - whatever that is. What she means is she prefers the senseless pain we inflict on each other to the pain we would otherwise inflict on ourselves. But I'm not afraid of that solitary pain. In fact, if I don't strip myself of all this clatter and clutter and ridiculous ritual, I shall go out of my fucking mind. Does that answer your question, Arthur?
What question was that?
You asked me why I was getting divorced.
See more »
ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
Okay, the character of Dr. Eddie Jessup is kind of a pompous ass, and there are a few groaner moments of, call it, self-importance.
But this movie breaks real ground.
One of my all time favorites.
And I'd like to point out that everyone is crazy about the much-touted and notoriously-expensive hallucination sequences, ...
Of course if you've seen Russel's "Tommy," some of the over-the-top sequences will look familiar and tinged with peculiar British-isms. And then there's the ending - well, it's controversial, that's for sure - anticlimax or not ?
But for me the most electrifying parts are the ensemble cast acting.
In the scene where Blair Brown is trying to cope with the trauma of the events in the isolation tank room, there's a very beautifully conceived long single shot through house windows. Russel needs credit especially for the argument between Balaban and Haid - some of the best acting I've ever seen - character actors hardly EVER get to put this kind of stage-acting energy on film. It stays with me still. They truly seem absolutely furious with each other, their lines overlap, it's absolutely convincing.
Some of the greatest effects of this movie are simply good movie craft - when Jessup first sees the love of his life walk through the door, fantastically back-lit, and the music comes up and cross-fades into the next scene - it's breathtaking.
It's the moments like that, and the very intro of the movie, with the slow title crawl, the deadpan lines read by Balaban, the first shots of Hurt in the tank, the eerie music ... This movie still stands out, still looks good,... and stands superior to other, more recent imaginings of internal hallucination become external.
50 of 62 people found this review helpful.
Was this review helpful to you?
| Report this