In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Composer and pianist Franz Liszt (Roger Daltrey) attempts to overcome his hedonistic life-style while repeatedly being drawn back into it by the many women in his life and fellow composer Richard Wagner (Paul Nicholas).
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself See more »
The film's themes and meaning has often been debated, with many interpretations being put forward such that it's the Orpheus and Eurydice myth; that it's the Dr. Jekyll and Mr Hyde yarn; that it's really the story of Mary and Jesus. The film's writer, Paddy Chayefsky, once revealed in an interview that it was actually really a love story. See more »
While Arthur takes Eddie's blood and Mason is yelling at him, the position of the bloody rag used to wipe Eddie's face clean as well as the EEG wiring changes positions between shots. See more »
I can't live with it Emily, the pain is unbearable.
We all live with it. That unbearable terror is what makes us such singular creatures. We hide from it, we succumb to it, mostly we defy it! We build fragile little structures to keep it out. We love, we raise families, we work, we make friends. We write poems...
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ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
This is William Hurt's debut, and there's much to praise about it. Firstly, outstanding performance. The kind that lasts an impression and is thought of every time "William Hurt" is pronounced out loud. The film, in a nutshell could be summed up as a man's obsessive quest for the "truth". Truth about life, and the universe, why we're here, who created us? These are the core questions Ken Russel - more fairly, the original author Paddy Chayefsky - asks. All of that, is assisted by insane hallucinatory and downright horrifying visual sequences and music, which when combined, literally gave me goosebumps when I saw it all on screen. They take you on a surreal 'trip' and are a way for the viewer to experience what Hurt's character undergoes when he is in the isolation chamber. On another note, the pacing is a little slow in the first act, but sudden outbursts of surreal visual sequences get you back up in form.
If you're a thinker, this one's for you.
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