In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ...Written by
Author Paddy Chayefsky disowned this movie. Even though the dialogue in the screenplay was almost verbatim from his novel he reportedly objected to the general tone of the film and the shouting of his precious words by the actors, this conflicting with Ken Russell's typical style of wanting heightened performances. Paddy Chayefsky had not seen the film before he took his name off the credits, the script being credited to "Sidney Aaron", a pseudonym for Chayefsky, the two names being Chayefsky's real first and middle names. Director Ken Russell and Chayefsky fought constantly during production, Russell maintaining that almost nothing was changed from Chayefsky's script and stating that he was "impossible to please." See more »
The introductory story is set in 1967, but exterior shots of the streets shows a VW Rabbit and a Plymouth Volare, both 1970s cars. See more »
Memory is energy! It doesn't disappear - it's still in there. There's a physiological pathway to our earlier consciousnesses. There has to be; and I'm telling you it's in the goddamned limbic system.
You're a whacko!
What's whacko about it, Mason? I'm a man in search of his true self. How archetypically American can you get? We're all trying to fulfill ourselves, understand ourselves, get in touch with ourselves, face the reality of ourselves, explore ourselves, expand ourselves. Ever since we ...
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ABC edited 7 minutes from this film for its 1983 network television premiere. See more »
If there is any reason to like a film as meaningless or pointless as this, it's that it is a "Cedar Point" of a special visual effects ride! I still haven't figured out how or why the things in Altered States happened the way they did. But I think that this is one of the greatest sci-fi films ever made. Who cares if the plot or characters worked or not? When you are watching the mesmerizing images and special effects (which are only slightly dated), then you will understand why this is such a great movie! I still don't know how Ken Russell got these images on film. And the very intricately constructed images fly by so fast in the quick cuts, that it's like a dream that we can barely remember. It's a dream that you can't define or put your finger on. And that is the real reason why I like this movie. I just purchased the Dolby Digital reissue on LD, and I hope more special editions of this film come soon!
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