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Nine to Five (1980)

PG | | Comedy | 19 December 1980 (USA)
Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him.

Director:

Colin Higgins

Writers:

Patricia Resnick (story), Colin Higgins (screenplay) | 1 more credit »
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Popularity
2,947 ( 1,107)

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Nominated for 1 Oscar. Another 3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jane Fonda ... Judy Bernly
Lily Tomlin ... Violet Newstead
Dolly Parton ... Doralee Rhodes
Dabney Coleman ... Franklin Hart, Jr.
Sterling Hayden ... Tinsworthy
Elizabeth Wilson ... Roz
Henry Jones ... Hinkle
Lawrence Pressman ... Dick
Marian Mercer ... Missy Hart
Renn Woods ... Barbara (as Ren Woods)
Norma Donaldson Norma Donaldson ... Betty
Roxanna Bonilla-Giannini Roxanna Bonilla-Giannini ... Maria
Peggy Pope ... Margaret
Richard Stahl Richard Stahl ... Meade
Ray Vitte ... Eddie
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Storyline

Meet Franklin Hart (Dabney Coleman). The biggest "sexist, egotistical, lying, hypocritical bigot" boss on the planet. He thrills in taking advantage of his head female office staff; humiliating, downplaying, and condescending against them whenever conveniently possible, particularly his top assistant Violet (Lily Tomlin). Long-exhausted over his gruesome bullishness, Violet, alongside co-workers Doralee (Dolly Parton) and Judy (Jane Fonda) comprise comical methods of "doing him in", when a freak incident occurs. They then manage to kidnap Hart and trap him in his own house, while assuming control of his department, and productivity leaps. But just how long can they keep him tied up? Written by Peanutlee <oprlvr@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Which would you rather punch? The clock or your boss? See more »

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

19 December 1980 (USA) See more »

Also Known As:

From 9 to 5 See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$3,966,832, 21 December 1980, Wide Release

Gross USA:

$103,290,500
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

One of a few early to mid 1980s films that Dabney Coleman made at, or were distributed by, 20th Century Fox. The other films were Modern Problems (1981), and The Man with One Red Shoe (1985). See more »

Goofs

Violet's taillights repair themselves after she's been stopped by the police. See more »

Quotes

Judy Bernly: What are we going to do? Roz is coming back from Paris this Friday after completing her six-week schooling of French. What if we still don't get the Ajax Warehouse invoices then?
Doralee Rhodes: Well... if she gives us anymore trouble, we'll just send her back to that language school and this time, let her learn to speak German!
See more »

Alternate Versions

TV version omits the pot-smoking scene. See more »


Soundtracks

Nine To Five
Written and Performed by Dolly Parton
Produced by Gregg Perry
©1980 Velvet Apple Music and Fox Fanfare Music, Inc.
See more »

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User Reviews

 
Occasionally perceptive office comedy eventually becomes arms-flailing cartoon
28 September 2005 | by moonspinner55See all my reviews

It had to happen: for two-thirds of its length, "Nine to Five" is a sharp, satirical, recognizable put-down of work-a-day life "at the office", but in its later stages it becomes a silly revenge comedy, and then a message piece. The messagey last act is the real bummer, with three secretaries taking over their work-place and transforming it into a politically correct nightmare. Jane Fonda is Judy, a just-divorced woman new to office work, and her starchy appearance and nervous manner aren't really all that funny (she's immediately cold to secretary Dolly Parton on the basis of office gossip alone); her character's big flub in the copy room is an example of director Colin Higgins' use of silliness--and it's not even to make a point (the Xerox machine goes cartoonishly haywire and Judy just looks like a jinx). Lily Tomlin is much better as Violet, a 12-year team player who keeps getting passed over for promotions--but why she would even want to be promoted into a den of thieves and liars is never really made clear. Dolly Parton is dazed but not frazzled--she's just pleasantly zonked as Doralee, whom everyone thinks is sleeping with the boss (Dabney Coleman--who only shines in the fantasy sequences; his Mr. Hart is a tiresome tyrant who, of course, is not just a show-off and a cheat but an embezzler as well!). Terrible-looking movie with an excruciating background score manages to get laughs with some canny writing (in the first hour or so) and because of Tomlin's dead-on impersonation of a working widow with kids who just wants her dignity. But the plot-twists in the second-half take the picture off-track, leading to a storybook ending that is commercially driven--and not even in keeping with the cynical, satirical tone of the early part of the film. **1/2 from ****


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