George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus.Written by
John Vogel <email@example.com>
In episode 5, Fawn's hair is shaggy and hangs over his ears. A day later (in episode 6) it is short and trim. He's been guarding the kidnapped Toby Esterhase for the intervening period, so he could hardly have run out and got it cut. See more »
You heard something about his
murderous assignment in French North Africa, I suppose?
Peter was overmatched and he lost. His agents were hanged. No one recovers entirely from that sort of thing. That is, I wouldn't trust a man who did.
See more »
SPOILER: The closing credits scroll over a scene of Oxford, which is chronologically where the spy was recruited in the story. See more »
The American DVD edition is a syndicated edit comprised of six episodes instead of seven. See more »
Composed by Geoffrey Burgon
Sung by Paul Phoenix and the Boys of the St Paul's Cathedral Choir See more »
There are few movies that follow the book. There is no end to the comment, "The book was so much better." There is good reason for that with some films. "The Lord of the Rings" would have been five movies if you went "by the book". Interesting and enjoyable as that might be for Tolkien fans, it was impossible for film makers. Yet, "Tailor, Tinker, Soldier, Spy" as a movie defies that axiom.
Having read the book and seen the movie more than "several times", they still remain interconnected and indistinguishable. Yes, the book contains more detail, but may details are covered by innuendo, scene or background detail in the movie. Alec Guinness becomes Smiley so completely that his acting gives real meaning to the idea of a "character actor", even down to wiping his glasses with his tie. (you have to read the book for that one.)That is not to say, that Guinness is a robot and the movie is stiff in the name of faithfulness to the book, just the opposite.
The movie dawns the viewer in, just as the book draws in the reader, as part of the process of discovery; unraveling the mystery. As in a true "who done it" (or as one commentator put "who is it"), the viewer has no more foreknowledge than Smiley. You are introduced to all the characters, all have reasons to be the defector, all have reasons to distrust an investigation to the past, yet only one is ferreted-out.
The ending is consistent with the logic of the book and film, but, you still don't expect it. It's anti-climactic yet believable. The film, like to book, leaves one wondering how this could happen. It's thought provoking given many of the suspects comments thought-out the book/film. Both inspire thought more than resolution. The story challenges the reader/viewer to think and think well about the reasons for and purpose of spying as a whole. (The film is more English in cultural orientation, but the concept is universal, as many Americans have learned as well.)
A wonderful book transformed into visual. Great acting through-out, and you really hate all the right people....
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