Ben Vereen is E.L. "Tenspeed" Turner, an inveterate con-man and master of disguise. Jeff Goldblum is Lionel Whitney, a "brown shoe" (accountant). Through an unlikely series of circumstances, they form a detective agency. Tenspeed is the realist, while Lionel fantasizes of having adventures like the fictional private eye he idolizes, Mark Savage.Written by
Mill Creek Entertainment, who released the DVD, planned to make it a 'Complete Series' collection. CBS however, who owned the rights to the two part pilot episode, refused to come to a financial and contractual agreement with MCI and denied its use. Therefore the DVD box set released in 2010 contains every episode but the pilot. See more »
Why doesn't A&E, or Lifetime, ever show this? Jeff Goldblum's only foray into series TV as a regular demonstrates that he should have done it much more often. His naive, karate-chopping ex-stockbroker private eye-wanna be is probably one of the most unique characters to be seen on TV. Ben Vereen is more your typical con-man type (which Stephen Cannell re-visited a few years later in "Sonny Spoon"), but Vereen makes the part entirely his own.
Mix with goofy, homage plots (they did Maltese Falcon twice), and you have Moonlighting without the ego trips.
Revised: Well, the series is now out on DVD, and obviously Jeff Goldblum has gotten a new series in the intervening years. Having fully watched a few episodes, I won't say that the memory cheats. But the first couple of episodes are rather complex, and not in a good way. The plots tend to meander along and new characters are introduced late in the game and you're left wondering who they are. "Robin Tucker's..." makes a big ado about being at the Robin Tucker Ballroom... and then the ballroom really has nothing to do with the case. The main characters are still endearing, and Goldblum has some very odd mannerisms (like hopping over a hedge to confront a bad guy). But the voice-over in the early episodes goes on quite a bit, even for a parody/homage. Goldblum sometimes goes over the edge from endearing to obnoxious, or just idiotic. Like when he drops his gun and kicks it along trying to pick it up. Lionel is naive, not stupid. Still, it's better than a lot of shows of the era... and a lot since then.
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