In late-1920s Berlin, Franz Biberkopf is released from prison and vows to go straight; however he soon finds himself embroiled in the city's criminal underworld.
In post-war West Germany, the charming Von Bohm is appointed a city's new Building Commissioner. His morality is tested when he unknowingly falls in love with a brothel worker, Lola, the paid mistress of a corrupt property developer.
Director:
Rainer Werner Fassbinder
Stars:
Barbara Sukowa,
Armin Mueller-Stahl,
Mario Adorf
Frau Kusters is preparing dinner late one seemingly ordinary afternoon in her seemingly ordinary kitchen in Frankfurt, Germany. Mrs. Kusters wants to add canned sausages to the stew, her ... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Brigitte Mira,
Ingrid Caven,
Margit Carstensen
In Switzerland, German singer Willie falls in love with Jewish composer, Robert, who offers resistance to the Nazis by helping refugees. But his family thinks Willie is a Nazi and may be a ... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Hanna Schygulla,
Giancarlo Giannini,
Mel Ferrer
Jorgos, a migrant worker from Greece, joins a group of young people in Munich usually hanging around. This foreigner incites hostility and jealousy among them, and he is insulted as a "... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Hanna Schygulla,
Lilith Ungerer,
Rudolf Waldemar Brem
Walter, a German anarchist poet, is short of money after his publisher refuses to give him an advance. He tries various ways of raising money, including shooting one of his mistresses and ... See full summary »
A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Eddie Constantine,
Hanna Schygulla,
Volker Spengler
Hans Epp is a self-destructive man who lives a dissatisfied life. He tries to find meaning as a fruit vendor, but a heart attack impedes his ability to work, which turns his dissatisfaction into despair.
Director:
Rainer Werner Fassbinder
Stars:
Hans Hirschmüller,
Irm Hermann,
Hanna Schygulla
This drama follows the last few days in the life of Elvira (formerly Erwin) Weisshaupt. Years before, Erwin told a co-worker, Anton, that he loved him. "Too bad, you aren't a woman," he ... See full summary »
Director:
Rainer Werner Fassbinder
Stars:
Volker Spengler,
Ingrid Caven,
Gottfried John
This mini-series is a 15-1/2 hour episodic exploration of the character of Franz Biberkopf, "hero" of Alfred Döblin's acclaimed novel, as well as the Alexanderplatz area of Berlin that he inhabits.Written by
Mark Toscano <fiddybop@uclink4.berkeley.edu>
Michael Ballhaus, director Rainer Werner Fassbinder's longtime collaborator, was the film's original cinematographer. He quit during pre-production, fed up with Fassbinder's irrational behavior (which included refusing to speak to Ballhaus, communicating with him through an assistant instead). According to Ballhaus, this was Fassbinder's way of "punishing" him for deciding to shoot a different movie with another director after their previous collaboration, The Marriage of Maria Braun (1978). See more »
Inconsistent (morally), perfunctory (in some of the staging), brilliant (in most if not all of the acting), inconclusive, anachronistic... but enough of Cervantes, Shakespeare, Brecht and Dickens... Yes it does rank with them. The film makes the book seem almost hesitant, tentative; Doeblin's debt to Joyce all too obvious. But the film has an almost 'punk' bloody-mindedness about it, like a fanzine. Strong-flavoured sauce splashed over chips. And although 'epic' ( in the Brechtian sense, not the Cecil B de Mille) it has shape like a Mahler symphony has shape - not a simple arc but a scratty, jumbly progress through a crowd that gets you there ... As for central character Franz - played as Der Dumme Michel rather than the devious weasel of the book - he's the one to whom learning is so often offered but who is so incapable of embracing it. Fassbinder makes us care to try to understand the person whom we would move away from so rapidly in the Kneipe. This is simply one of the (many) cultural pinnacles of the 20th Century. Thanks to Channel 4 for introducing it to us 20-odd years ago and thanks to Second Sight who has published it on DVD. Buy it! Make time and enjoy it!
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Inconsistent (morally), perfunctory (in some of the staging), brilliant (in most if not all of the acting), inconclusive, anachronistic... but enough of Cervantes, Shakespeare, Brecht and Dickens... Yes it does rank with them. The film makes the book seem almost hesitant, tentative; Doeblin's debt to Joyce all too obvious. But the film has an almost 'punk' bloody-mindedness about it, like a fanzine. Strong-flavoured sauce splashed over chips. And although 'epic' ( in the Brechtian sense, not the Cecil B de Mille) it has shape like a Mahler symphony has shape - not a simple arc but a scratty, jumbly progress through a crowd that gets you there ... As for central character Franz - played as Der Dumme Michel rather than the devious weasel of the book - he's the one to whom learning is so often offered but who is so incapable of embracing it. Fassbinder makes us care to try to understand the person whom we would move away from so rapidly in the Kneipe. This is simply one of the (many) cultural pinnacles of the 20th Century. Thanks to Channel 4 for introducing it to us 20-odd years ago and thanks to Second Sight who has published it on DVD. Buy it! Make time and enjoy it!