Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A zombie is found aboard a boat off the New York coast which belongs to do a famous scientist. Peter West, a journalist, travels to the Antilles with Ann, the daughter of the scientist. On the way, they meet with with Brian, a ethnologist, and Susan. When they arrive at Matul Island, they find Dr. Menard, and discover a terrifying disease which is turning the islanders into horrifying zombies which devour human flesh and seem indestructible....Written by
Si Elliott <firstname.lastname@example.org>
According to Ian McCulloch on the DVD commentary, the harbor patrol cops were actually off-duty policemen. The advantage was that no costumes were required as they brought their own uniforms. See more »
When the homicide detective is questioning Tisa Farrow's character on the boat he says a member of the "coast guard" was killed. The man who was killed on the boat at the beginning was clearly a member of the New York City Police Department. See more »
The boat can leave now. Tell the crew.
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The 18 certificate UK cinema and early video versions were missing 1 min 46 secs of graphic violence including the splinter in the eye scene, shots of torn throats and arm biting, the zombies feasting on Paola's body and a shot of Dr Menard's bloody bitten face. The uncut version was released in the early 80s, but fell foul of the Obscene Publications Act, and was prosecuted as a "video nasty". See more »
This was my first ever video nasty, originally viewed in the mid 80's, and for that reason it shall always have a special place in my heart. The first thing that struck me was that the budget must have been relatively high. Fulci was never a great one for narrative coherence (this is probably his most conventional film) and typically for the Italian films of the time this must have been pitched as a sequence of set-pieces (the shark battle, the fiery finale, and of course, the infamous eyeball scene). Unfortunately for the most part these are fairly flatly directed and fall short of their potential for tension. The earlier expository scenes are especially protracted, and throughout Fulci has a tendency to leave shots hanging well past their sell-by date. That said, the film is not completely artless, and whereas it lacks suspense, it does have a degree of atmosphere about it. After the political correctness of the 80's and the 'post-Modernist' knowingness of the 90's, Zombie Flesheaters, with its excessive gore and its leering nudity, its risible dubbed dialog and its a complete lack of humour, with its simplistic plotting and comic-book characterisation, is probably most interesting if viewed from the perspective that firstly, that there was ever a market for this sort of thing and secondly, that people thought that films like this needed suppressing. Yes it's true, they don't make them like this anymore!
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