On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
A massive alien spacecraft of enormous power destroys three powerful Klingon cruisers, entering Federation space. Admiral James T. Kirk is ordered to take command of the USS Enterprise for the first time since her historic five-year mission. The Epsilon IX space station alerts the Federation, but they are also destroyed by the alien spacecraft. The only starship in range is the Enterprise, after undergoing a major overhaul at Spacedock on Earth. Kirk rounds up the rest of his crew, and acquires some new members, and sets off to intercept the alien spacecraft. However, it has been three years since Kirk last commanded the Enterprise - is he up to the task of saving Earth?Written by
Colin Tinto <email@example.com>
Dick Rubin's philosophy as property master was that nearly every actor or extra ought to have something in their hands. As such, Rubin devised and fabricated about 350 props for the film, 55 of which were used in the San Francisco tram scene alone. See more »
When Kirk first comes on board Enterprise he is called "Admiral," and then "Captain" a few seconds later. However, it is customary for the person in command of a ship to be addressed as "Captain," regardless of his military rank. See more »
End title: "The human adventure is just beginning." See more »
Network television and pan-and-scan home video versions run 143 minutes. Here is the added footage:
Decker asks Sulu to take Ilia "in hand". He then gives her a brief explanation of the computer. Ilia reminds Sulu of her oath of celibacy, and Decker informs Ilia that the captain didn't mean anything personally, and Ilia says she would never take advantage of a sexually immature species.
After the wormhole, and after Kirk, Bones and Decker depart for quarters, there is another short Sulu/Ilia exchange about current speed and current heading. Ilia then confirms it. Both these scenes were apparently shot to provide a sense of romance between the two, but were deleted to clear up Decker's same relation.
Rather than Kirk saying, "Make your point, Doctor" when discussing the obsession with the Enterprise, there is one brief exchange, and McCoy gives his line in a medium shot, rather than a shot of the two standing side-by-side.
During the attack on the Enterprise, the ship actually gets hit by an extra energy torpedo. We hear it, and the lighting also suggests it, but we never see it. Some minor scene extensions are added. There is also an alternate take of Spock's analysis.
There is a short scene in which Spock reveals the frequency of V'Ger's transmission. This appears in the Director's Edition.
Decker takes over Chekov after his hand is burned, and a female crew member takes over for him. Decker goes to help Spock, and we return to the theatrical footage of the second (or third) energy torpedo being fired.
Chekov returns to his post after a humorous exchange from Spock and Bones reveals that V'Ger emits more radiation than the Sun.
The famous footage of Kirk shadowing Spock during the space walk sequence is included.
There is an alternate take when Nurse Chapel gives Ilia's headband to the Ilia probe.
The Ilia probe mentions that the creator is on the third planet. She then removes the headband, and asks why two carbon units have entered V'Ger. Bones replies that they wish to contact it. Decker asks if V'Ger has a problem with that, and Ilia says no. V'Ger will find out their purpose. Bones says it is to survive, and Ilia says it is V'Ger's purpose as well to survive. Decker implies that V'Ger's purpose was to find and join with the creator, and Ilia replies that is how V'Ger will survive.
Bones says V'Ger says its creator is a machine, to which Decker replies "We all create God in our own image."
This was an under-rated film in the first version, and it is improved a great deal with the changes that Robert Wise made just a few years before he passed away. There has been a backlash against this picture, mostly for two reasons; it was not Star Wars, and it was not what people expected of Star Trek.
If you put these expectations aside, and if you also have some attention span and willingness to relax into a picture this is a remarkable experience. I often here people use words like boring, too long etc. Well yes, if we are expecting a quick-hit, film that can be digested in 90 minutes like a TV show, this is not that type of film. If we apply these standards to Lawrence of Arabia, 2001, Blade Runner, Bridge on the River Kwai, or Citzen Kane (which Robert Wise edited, none of these films would have ever been made.
If you put Star Trek The Motion Picture in context of it's scale and the craftsman involved you start to appreciate it's quality and elegance. Robert Wise does not need qualification. He brings an elegance and texture to work and life in space that StarWars has not put to screen to this day.
Star Wars even now seems like nothing more than an impressive exercise in effects and sound. It is always reminding us that it is a movie. ST-TMP on other hand departed into an "immersive experience" developed by Robert Wise, with the amazing talents of Doug Trumbull and John Dykstra, and the enormous contibutions of Jerry Goldsmith. Likewise, the photography, the scale of the sets and the editing of the film all contribute to a immersive world that saturates the viewer into the film.
You gain a lot of knowledge and appreciation of this film and the experience that they achieved by watching the Director's Edition DVD and listening to Wise, Trumbull, Dykstra, Goldsmith and others discuss the production. This was a uniquely creative and enormous effort, and considering the technological limitations, the demands of the studio, and the many demands of the Star Trek Bible that qualified the creation of the movie. I am pleased to see that other reviewers here have come to appreicate this movie many years later. I encourage the skeptics to find the time to relax and watch it on the biggest screen you can find.
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