On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
A massive alien spacecraft of enormous power destroys three powerful Klingon cruisers, entering Federation space. Admiral James T. Kirk is ordered to take command of the USS Enterprise for the first time since her historic five-year mission. The Epsilon IX space station alerts the Federation, but they are also destroyed by the alien spacecraft. The only starship in range is the Enterprise, after undergoing a major overhaul at Spacedock on Earth. Kirk rounds up the rest of his crew, and acquires some new members, and sets off to intercept the alien spacecraft. However, it has been three years since Kirk last commanded the Enterprise - is he up to the task of saving Earth?Written by
Colin Tinto <email@example.com>
The script received constant, input from the producers and from William Shatner and Leonard Nimoy. The discussions led to multiple re-writes, right up to the day the pages were to be shot. At one point, scenes were being re-written so often, it became necessary to note on script pages the hour of the revision. See more »
William Shatner's hairstyle changes in nearly every scene. See more »
End title: "The human adventure is just beginning." See more »
Network television and pan-and-scan home video versions run 143 minutes. Here is the added footage:
Decker asks Sulu to take Ilia "in hand". He then gives her a brief explanation of the computer. Ilia reminds Sulu of her oath of celibacy, and Decker informs Ilia that the captain didn't mean anything personally, and Ilia says she would never take advantage of a sexually immature species.
After the wormhole, and after Kirk, Bones and Decker depart for quarters, there is another short Sulu/Ilia exchange about current speed and current heading. Ilia then confirms it. Both these scenes were apparently shot to provide a sense of romance between the two, but were deleted to clear up Decker's same relation.
Rather than Kirk saying, "Make your point, Doctor" when discussing the obsession with the Enterprise, there is one brief exchange, and McCoy gives his line in a medium shot, rather than a shot of the two standing side-by-side.
During the attack on the Enterprise, the ship actually gets hit by an extra energy torpedo. We hear it, and the lighting also suggests it, but we never see it. Some minor scene extensions are added. There is also an alternate take of Spock's analysis.
There is a short scene in which Spock reveals the frequency of V'Ger's transmission. This appears in the Director's Edition.
Decker takes over Chekov after his hand is burned, and a female crew member takes over for him. Decker goes to help Spock, and we return to the theatrical footage of the second (or third) energy torpedo being fired.
Chekov returns to his post after a humorous exchange from Spock and Bones reveals that V'Ger emits more radiation than the Sun.
The famous footage of Kirk shadowing Spock during the space walk sequence is included.
There is an alternate take when Nurse Chapel gives Ilia's headband to the Ilia probe.
The Ilia probe mentions that the creator is on the third planet. She then removes the headband, and asks why two carbon units have entered V'Ger. Bones replies that they wish to contact it. Decker asks if V'Ger has a problem with that, and Ilia says no. V'Ger will find out their purpose. Bones says it is to survive, and Ilia says it is V'Ger's purpose as well to survive. Decker implies that V'Ger's purpose was to find and join with the creator, and Ilia replies that is how V'Ger will survive.
Bones says V'Ger says its creator is a machine, to which Decker replies "We all create God in our own image."
The Director's Edition is Bob Wise's definitive vision of Star Trek: The Motion Picture. And what a vision!
This DVD version has improved and restored and made Star Trek: TMP a pleasure to watch rather than a chore. You're less inclined to hit fast-forward in those lengthy scenes. This movie will resonate well with mature-age viewers because the story is not what you would expect from today's action packed cinema. I appreciated the movie more as I got older. Bob Wise explains on the DVD that production was extremely rushed and had no time to preview the film with an audience that would now after 20 years, tell him to tighten the opticals and emphasize characters. This is precisely what he has done in the DVD version and its magnificent.
Aesthetically, the DVD version shows you the best Star Trek: The Motion Picture can possibly look. Film is sharper; color is dead on however there is still a lot of film grain present unfortunately. My guess is they cleaned the original negative up as much as they could but it had deteriorated so much in storage, or was badly preserved. Certainly looks better than my bad pan/scanned VHS copy.
The DVD truly shines with its brand new sound mix. This isn't your standard stereo to 5.1 DVD conversions like they are doing for movies pre 5.1; they have gutted it up and added new stuff. The original release was so rushed that very little in terms of ambient sound and special effects audio elements were done on the sound mix amongst other production elements. For this DVD they went back to the original audiotapes and remixed them digitally.
Goldsmith's score sounded fantastic when it originally came out now sounds even better on the DVD version. It's tremendous, you will hear what your suppose to hear now with the added advantage of 5.1 surround sound. Goldsmith score truly has a chance to soar now by stretching into a clean high fidelity 5.1 environment rather than being squeezed onto a mono or stereo track. Bass kicks in often especially on big musical cues. You'll hear nifty panning and those surrounds and subwoofer will definitely get a workout. In instances they isolate different parts of the orchestra through different speakers, mainly the bass and percussion.
Most onstage dialog was re-recorded afterwards because of onstage noise due to mechanical devices etc; this is now common practice in the industry. The result is cleaner dialog that comes prominently out of your center speaker. The dialog audio is good, but on occasion it shows a mild muffled and tinny quality probably due to age of material or analog technology of the time, nevertheless I guarantee you, the average viewer will like it, I'm just being picky. In short the movie will sound almost as good as if the movie was made recently.
Not only having rebuilt the original audio they have put in more surround elements, like ambient bridge noises and computer voices. Not sure why they changed the `Intruder Alert' voice, I don't mind but I guess it was because they rushed the sound mix in the 70's and chose that voice as a last minute thing. There are other elements that have been changed, for the better I would say.
The DVD contents have been remastered with Wise's overseeing. There are too many subtleties to comment on so shall briefly discuss a few. Before opening credits you are treated to Goldsmiths V'ger/Love theme, a nice touch. Then you hear the bombastic Star Trek Theme. Newly done credits over moving starfield.
First main new special effect is the Vulcan landscape, tilting from sky to the surface. Then cuts to a new matte painting of the beautiful orange sky. Originally Spock shields his eyes and in the reversal, not only is there no sun there is little sky visible. The new matte painting now fits in nicely.
San Francisco sequence has been redone, 3 new matte paintings that better show the futurized city, Golden Gate Bridge and a bigger shuttlebay.
When they get into V'Ger they encounter a weapon heading towards them that is suppose to dissipate, in the original it simply disappears instantly, now we see a new visual that shows it dissipating just before it hits the ship.
Later we see a probe heading towards the ship on the viewscreen and then through some hokey editing it appears on the bridge. This has been replaced with an improved FX shot showing the approach of the entity on an exterior shot.
A new 'Wing Walk' sequence. Breathtaking new CGI's that show the away-team walk from the hull to the V'Ger stage, some using the original live action shots. New FXs for the most part are based on original storyboards. They didn't go overboard with the effects which is good, Bob tells us that they made FX that they could only do in the 1970's, unlike Star Wars whom George Lucas went overkill on new FX when he redid his in the 1990's.
There are trims, some rearrangements of shots for the better. E.g. Ilia/Deckers exchange of looks, Kirk's `Oh My God', his second `Viewer Off.' I suspect they had to edit within Jerry's score, or have to also edit Jerry's score to accommodate the new editing, if so they have done it very well, I couldn't notice. Some lengthy scenes remain in its entirety, e.g. flying up to the enterprise, I don't blame them for not trimming them, some are sentimental.
The 2 DVD's come with a plethora of information. Audio commentaries by the director, 2 special effect's guys, an actor and the composer guide you through the director's edition. Text commentary by Okuda gives even more scene specific info. Disc 2 gives you most of the trims, deleted scenes from the TV and Theatrical release not used in the DVD version and an outtake of an abandoned visual effect. Plus 3 documentaries about the abandoned TV series ST:Phase II, Directors edition DVD and the movie itself. Plus advertisements/trailers plus storyboards.
A MUST BUY FOR FANS! You'll Love It!
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