A guide leads two men through an area known as the Zone to find a room that grants wishes.A guide leads two men through an area known as the Zone to find a room that grants wishes.A guide leads two men through an area known as the Zone to find a room that grants wishes.
- Writers
- Arkadiy Strugatskiy(novel "Piknik na obochine")
- Boris Strugatskiy(novel "Piknik na obochine")
- Andrei Tarkovsky(screenplay)
- Stars
- Writers
- Arkadiy Strugatskiy(novel "Piknik na obochine")
- Boris Strugatskiy(novel "Piknik na obochine")
- Andrei Tarkovsky(screenplay)
- Stars
Natalya Abramova
- Marta, doch Stalkera
- (as Natasha Abramova)
Faime Jurno
- Sobesednitsa Pisatelya
- (as F. Yurna)
Raimo Rendi
- Patrulnyy politseyskiy
- (as R. Rendi)
Sergey Yakovlev
- Professor
- (voice)
- (uncredited)
- Writers
- Arkadiy Strugatskiy(novel "Piknik na obochine") (screenplay)
- Boris Strugatskiy(novel "Piknik na obochine") (screenplay)
- Andrei Tarkovsky(screenplay) (uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Andrei Tarkovsky spent about a year shooting all of the exterior scenes with cinematographer Georgi Rerberg using Kodak 5247 film. This film stock was newer to Soviet laboratories of the time, and some of the original negatives were destroyed by a processing error at the laboratory. Part of the film had to be shot again with a new cinematographer, Aleksandr Knyazhinskiy. This contributed to the film's two-part narrative structure. Allegedly, the newly shot footage strayed farther away from the source novel Roadside Picnic, and had a different look. Asked about this, director Tarkovsky said "no mother gives birth to the same child twice".
- GoofsAt about 23 minutes, when Stalker, writer and professor are driving in their car they have to hide for a motorcyclist. In the scene the motorcyclist comes from the right. From an opposite angle of view, he still comes from the right, where it should have been from the left.
- Quotes
Stalker: May everything come true. May they believe. And may they laugh at their passions. For what they call passion is not really the energy of the soul, but merely friction between the soul and the outside world. But, above all, may they believe in themselves and become as helpless as children. For softness is great and strength is worthless. When a man is born, he is soft and pliable. When he dies, he is strong and hard. When a tree grows, it is soft and pliable. But when it's dry and hard, it dies. Hardness and strength are death's companions. Flexibility and softness are the embodiment of life. That which has become hard shall not triumph.
- ConnectionsFeatured in Distant (2002)
- SoundtracksLa Marseillaise
Written by Claude Joseph Rouget de Lisle
Review
Featured review
An interesting interview on the DVD
The Region 2 Artificial Eye DVD includes interesting interviews with the cameraman and production designer. The production designer reveals that the film was completed only to be destroyed because it had been shot on experimental Kodak and couldn't be developed - a whole year's work was ruined. He proposes the possibility that the authorities of the time didn't want it to be developed. The incident nearly destroyed Tarkovsky. He was finally persuaded to go back and film a new Stalker, this time on a shoestring budget.
What does the film mean? Ask me again when I've watched it maybe ten times.
Certainly the Zone means more to Stalker than the Room. The Room is his living, but the Zone is an escape, a sanctuary from the noisy, industrial rusting slum where he lives (captured brilliantly in metallic sepia). In the Zone everything eventually returns to nature - like a pastoral coral reef growing on a battleship lichen and mosses engulf factory buildings and tanks. His first action on arriving there is to leave the other two occupied while he communes with the natural things growing in the zone, the grasses, the dew, the soil, the tiny worm that dances head-over-tail down his hand.
A beautiful, great and puzzling film. But then if it revealed all its secrets straight off then, apart from the beautiful visuals and the soundtrack it would be pointless watching it again. Great art only leaches out its secrets gradually and only to those with the desire to learn them.
What does the film mean? Ask me again when I've watched it maybe ten times.
Certainly the Zone means more to Stalker than the Room. The Room is his living, but the Zone is an escape, a sanctuary from the noisy, industrial rusting slum where he lives (captured brilliantly in metallic sepia). In the Zone everything eventually returns to nature - like a pastoral coral reef growing on a battleship lichen and mosses engulf factory buildings and tanks. His first action on arriving there is to leave the other two occupied while he communes with the natural things growing in the zone, the grasses, the dew, the soil, the tiny worm that dances head-over-tail down his hand.
A beautiful, great and puzzling film. But then if it revealed all its secrets straight off then, apart from the beautiful visuals and the soundtrack it would be pointless watching it again. Great art only leaches out its secrets gradually and only to those with the desire to learn them.
helpful•16658
- Kenny J
- May 1, 2003
Details
Box office
- 2 hours 42 minutes
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